9f崎新设计的中央美术学院当代美术馆1.pdfVIP

128 时代建筑Time+Architecture 2009/ 1 范凌 FAN Ling 1 “展示”还是“显现”? 2 阅读矶崎新设计的中央美术学院当代美术馆[1] Exhibition or Appearance? A Reading of Arata Isozaki’s Museum of Contemporary Art at the Central Academy of Fine Arts 摘要 如果展场不再是 “展示”展品的被动容 ABSTRACT If exhibition space is no longer KEY WORDS Exhibit / Exhibition Space; Place 器，而是 “艺术”显现/发生的环境，那么在当代 a passive container of its exhibits, but rather a for Art / Art of Place / Art Takes Place; Presence 语境下将如何打开阅读美术馆的线索？文章试图 context for the appearance and taking place of art, / Representation; Exhibition / Appearance; White 从这个角度对日本建筑师矶崎新设计的中央美术 then how can this understanding be unfolded in a Cube; Elasticity; Colloid; Plasticity; Revival; Avant 学院当代美术馆进行阅读。 contemporary milieu of reading an art museum? Garde; Contemporary Art / Modern Art 关键词 展品／展场；艺术场所／场所艺术／艺 TU86(21) In this regard, this essay takes this path to a close 中图分类号： 术发生；存在／再现；展示／显现；白盒子；张 A reading of the Museum of Contemporary Art at 文献标识码： 力；胶体；塑性；复兴；先锋派；当代艺术／现 the Central Academy of Fine Arts designed by the 文章编号：1005-684X(2009)01-0128-08 代艺术 Japanese architect Arata Isozaki. …… 当美术馆成为自然而然 “欣赏艺术的场所 艺术只是建筑的借口 其实是新富有文化的 象征。国家美术馆东馆就是一个很好的例子。它颂 （place f o r v iew ing a rt ）”，我们不禁要问：美术 扬公共空间，主要展览空间是平行四边形和三角实 馆是不是一个 “艺术的场所 （place f o r a rt ）”？