丛文俊先生谈篆隶书学习(国外英文资料).doc

丛文俊先生谈篆隶书学习(国外英文资料) Mr. Cong Wenjun talked about learning (2012-04-18 17:42) official seal print reprint How to learn from the script Congwenjun In my opinion, there are five difficult learning zhuanli calligraphy. First, from the original era zhuanli today is too far away, very easy to cause the historical gap difficult to cross, a difference of twenty years is the generation gap, and two thousand or three thousand was? The most typical phenomenon is learning zhuanli calligraphy better can scale its shape, less even form a good grasp dont even say, God, the quaint. As for the individuality and innovation is particularly good, rare treasures of. Second, in the original zhuanli era, the ancients did not leave any text on the skills and aesthetic description of the process of learning for heirs occasionally have a word or two book often have no compassion for others. Our understanding of ancient zhuanli, mostly from the experience of scattered comments and written off, on behalf of the inscriptions, understand the various learning models in the native state of the seal character, is not enough. Third, the descendants of those who are in the comments on the original state of zhuanli calligraphy works are based on the aesthetic experience and the stone inscription rubbings, text books are all influenced by the preparation process, with two properties of finished goods, does not accurately reflect the true state of writing. In addition, zhuanli aesthetic and techniques of the ancients summary, also has the diaphragm, and the expression of views and expressions, often to learn from the fashion zhuanli cursive or Kai Zhu body experience, and the error of a few natural fallacy. Fourth, located in the original zhuanli era, practical text is the first one, from the beauty belongs to the word standard, there is no pure aesthetic art needs, not to think of how to invest in the works themselves. Then, the three generation of Qin and Han Dynasties as zhuanli classic works of nume