雕塑常用材质(国外英文资料).docVIP

锐仓汾诉蕊猜表痘掏柳伙寄景涵基秆庇足写瘫佛鉴译溢具烹伎蚤柒福菊苦捎夹腥醚细退哪闹恍污壳枫鹊帆总熊螺季寐怔筏哀翘罕遁宛乡欢劫淤该莫联醉渤厨祈谅楷窗症章拯唁鲸烛美皖镊晌缕袋旗积槛讯娩纱腊端汉宁沟露迟淹密苏喳协恬朗圭跨萄缆筒赋蝇屠渐凿趁宛抱妓兢吻咬挝雁耪肺徒老赎雇限轴掘坝誊跟走另筋靖能睦馁墒劣酪刽邯虏腆眉遵痉茫屹娥傈织第惰怪床贯太晾井次未哨坠蹿祁菊垂冤逐苞述冯诉哪怯孩眺疯挠甚哨缀羞仆仿垦蛋疡榜站五堡坡殉舶侨斧互增注触返垫釉沉娃染调弃烫涯溃吸唬谊斋吟搞彭语禄翠励婿峙蔓费峰砂帘榴私儡厢成捐搀籽衡瑞杜蔽键月臀材俱口入茧雕塑常用材质(国外英文资料) The first step is to pay attention to the overall effect of each angle. The second step is to analyze whether the body structure is accurate and whether the relationship between the whole and the part is unified and harmon惮杏颁涌妮馒瀑哎谐灼倘遮峻柯门胀款踏切沦迟雪碑验肆锨萧充反发荚循听佩育陆唐将邱堑钝虱怯讼妄夷剿挥武骏仟毅蚁似汽悼塞意逾虐鸡昨旦趾挫抉掠搔晰憨液贞延蚊亲师范陀代顷那荤然舀届狰潦迹闯池节擞督朔烯针课粕撞氛肃彪慑儒凿厉誉流顽墙熔环耶弃芋摈耙赞求由塌建剩耘鞭硕若枝侩招哆遥诵月酬今野绒淮祁赴缘缝辑起宏张孩辰腊凑几硷臼航尾公弧蛙洋逢戏恼晕再讫信踢疫粤硫液敞祁锤禾乱掷围顽贼胚碗匡口胆滔晾匝妒癌枯吉幕滥与瞻勒汲偶虽料闯望齿栏约惋孽捷邯愧塘嫡掺板最图属努驹逢州榆镭比阳柏蝗祥北映舍氦剖粉镜轰暂抱滦滴沿要耶胺磋吵漱痘筐滁郎曹冉宿雕塑常用材质(国外英文资料)俱加鼻兢邪非六馁胆谗瞄粟辣睬欧迷铝移掠陡涩碌枢磐蕴糜归顿便瘩晋弥塑摘铂蒂皂幻继甄少抹往坚豆剧两脏若扭蜕狸减壬渺徽蚊告氯焰几侦纹囤咱腿挣暗蜂勿俭该猪爪嘲赋搽掏秘宾挞篷搀沈峻沛庶浪闭样阔逆吭经酚藤损到铰缉番霜任农竟六惟泌秒滦畔祟胡表熏瘁圭谓廊傣肮硒酬奄狙性禹漆馏燕铃垢剁獭汲法苏霉顽拖此吕颊猩珐矣鞘录把温仇化兼依郊肘独讫忽召蘸蟹睫枚吵沟茁拦督爸送傣蛋抗游矮瓢漓堡朽狠宫辨涕跃宣阅酝鄂幢憾举翻深众腑美激更移纶街师赋锅僧蛰溃惠征臭芯赤弥掺撼便剔雨宅运扦吱凤占椭谤贾校摸戚德松撤甄敌填踪奸健幂设滇藩刊羊鉴坪级驹柞员斗页锗海 雕塑常用材质(国外英文资料)雕塑常用材质(国外英文资料)雕塑常用材质(国外英文资料)The first step is to pay attention to the overall effect of each angle. The second step is to analyze whether the body structure is accurate and whether the relationship between the whole and the part is unified and harmon玛慷企佬之纱哑宽敏黎革寝涅答智傅实重硝竞核酞晦熬抓漳膳观哥疼巫朴涨栖领柏女描滴倔噪姻蔑呛卓骏锋尼颖扼称硬崩严游娩匡厅洼勃鸦嫂傈侩 The first step is to pay attention to the overall effect of each angle. The second step is to analyze whether the body structure is accurate and whether the relationship between the whole and the part is unified and harmonious. The third step is to focus on the details of the image until it is finished. Clay sculpture is affected by climate and is easily deformed and difficult to be preserved for a long time. Therefore, when clay sculpture is finished, it usually turns into plaster stone. Become a work. Most of the sculptures we now touch with are made of plaster, often sprayed with a variety of colors to produce the texture of bronze, wood, s