歌剧《卡门》中两首咏叹调研究.pdfVIP

中 文 摘 要 人物形象的塑造是歌剧创作中最基本和最核心的命题，也是决定一部歌剧作 品成功与否的关键。《卡门》这部歌剧因其剧情与音乐的完美结合而成为歌剧中 的经典之作。其中女主人公卡门所唱的两首咏叹调在表现人物性格上起到了至关 重要和锦上添花的作用。本文通过对这两首咏叹调的分析，力图为歌剧演员饰演 卡门这一角色提供一定的心理路径和演唱基调。全文除绪论和结语外，正文分为 三个部分。 一、卡门的人物形象和性格分析。从梅里美所写的卡门和比才歌剧中卡门的 人物刻画两方面进行论述，为全面研究卡门做必要的铺垫。 二、歌剧中两首咏叹调的分析。本章分别对两首咏叹调做了个案分析,从女主 人公所处的社会背景入手，对她的人物心理，音乐分析，以及艺术处理三方面作 出了全面的剖析，使卡门这个艺术形象从歌剧文本中鲜活立体的展现在歌剧舞台 上。 三、两首咏叹调的对比。本章从两首咏叹调的相同点和不同点两方面对其做 了比较，在比较之中，演唱者可以对两首作品的风格把握和音乐处理上作出更准 确的判断与诠释。 关键词：梅里美 比才 卡门 人物塑造 ii Abstract People opera image creation is the most fundamental and the core proposition is the decision of the success of an opera key works. Carmen story of this opera because of its perfect combination of music, opera has become classic. In which the heroine sings Carmens arias in the two characters on the show and played a crucial role of icing on the cake. Based on the analysis of both the first aria, opera singer trying to play Carmen for the task of the heart to provide a path and singing tone. In addition to the full text of the preamble and the conclusion, the body is divided into three parts. One of the characters Carmen and character analysis. Written by Carmen from Merimee and Bizets opera Carmen characterization on two fronts, in order to do a comprehensive study of the necessary groundwork Carmen. Second, two opera arias in the analysis. This chapter were done two case studies arias, from the heroines start with the social background of her psychological character, music analysis, as well as to deal with three aspects of the arts to make a comprehensive analysis, so that the artistic image of Carmen from the opera version three-dimensional live show in the opera stage.Comparison of three arias. This chapter from the same two arias and two different points compared to its in comp