“厦门达达”的艺术特征研究.pdfVIP

摘 要 社会各个领域的前进，都离不开“先行者”的开拓。艺术领域的前进也是 如此。“厦门达达”无疑是中国现代艺术的“先行者”，它无论在艺术观念还是 具体的艺术形式上都担当着重要的启蒙角色。“厦门达达”的形成与八十年代的 社会变革息息相关，同时，由于表达方式、艺术观念、组织模式等都与其他群体 不同，而成为八五新潮美术运动中一个非常独特的群体。但当今的评论界对“厦 门达达”的有些评论有失偏颇，如认为“厦门达达”是在哗众取宠，是对西方艺 术的浅显模仿等，因此本文希望从客观的角度来评价这个群体。 本篇论文共分为四个部分。第一部分介绍了“厦门达达”的名称由来以及其主要 活动，主要介绍了“厦门达达”的活动历程。第二部分分析了“厦门达达”产生 的时代背景，包括相对宽松的社会环境和西方文化对它的影响，以及成员对创作 自由的追求。第三部分是全文的重点，重在研究“厦门达达”的艺术特征。第四 部分是对其意义和影响进行阐述，更重要的是对其艺术进行客观地反思。 本文力图通过对“厦门达达”个案的分析，反映出其在’85新潮美术运动乃至 中国现代艺术进程中的贡献并反思其艺术中产生的一些问题，如作品较粗糙，部 分成员改弦易辙等。只有这样，我们才能对“厦门达达”这个群体有更客观、全 面的了解。 关键词：厦门达达；艺术特征；八五新潮美术运动 Ⅱ Abstract Progress in all areas of society, are inseparable from the champion to open up. Art forward as well. Undoubtedly, Xiamen Dada was the pioneer of modern Chinese art, which played an important role in the Enlightenment in terms of artistic concepts or specific art form. The formation of Xiamen Dada was closely related to eighties social change.As concerns, ideas, organization and so on differentfrom other groups, so It become a very unique group of 85 art movement. But today, some of the commentsof Xiamen Dada wasbiased in artcritics, for example they believe Xiamen Dada was a play to the gallery and a shallow imitation of western art, etc. Therefore, thisarticle hopestoevaluatethisgroupfroman objectivepoint. This paper is divided into four parts. The first part introduces theXiamen Dada’s original name and its main activities, and mainly introduces Xiamen Dada’s main activities of the course. The second partanalyzed thetime background which Xiamen Dada produces, including relatively loose social environment and western culture to its influence, as well as the members of the creative freedom of the pursuit. The third part is the text of priority, focusing on research the Xiamen Dada’s art feature. The fourth partis carries on theelaboration to