电影剪辑技巧(国外英语资料).docVIP

电影剪辑技巧(国外英语资料) Film editing technique Pudofkin took several close-up shots of actors to edit three experimental passages. The first one, with the actors camera -- no expression -- on the table with a bowl of sand on the table. The second one, the woman who was lying in a coffin. The third one, a little girl playing with the toy. When we put the audience screening of three groups of lens to laymen, the result is amazing. The public response to the actors acting is very strong. They praised him for forgotten a bowl sand brooding expression, see and he looked at the dead womans pain deeply touched, and appreciates his faint smile when the little girl looked at the game. But as we know, in these three cases, the actors expression is exactly the same. Mr. Podofkin represented a school of former Soviet directors. He developed a system can be used as guidance the editing theory: if we study the film directors work, you can see those activities of raw material, is only a record from the different viewpoints on celluloid action taken by each action. The image of the action shot on the screen was created on these films. Therefore, the film directors material is not the actual process that happens in real space and time, but the thollol films that are recorded by these processes. The celluloid film is edited completely according to the directors intent. He can make the composition of any situation in the form of a movie, remove the intermission points in the middle, and focus the action time to the height he needs. Then pudofkin further explained the practical approach to the films narrative: on screen A person who drops from a five-story window can be photographed using the following: First of all, the man shot fell down from the window and fell on a piece of online, of course, cant be a net in the screen, and then shoot the same person from a high place fell to the ground. Connect these two lenses together to get the impression you need. The horror of the tower, which was a