鲁本斯油画技法（Rubens oil painting technique）.docVIP

鲁本斯油画技法（Rubens oil painting technique） Rubens technique and materials [fa] JaequesMarer Translated by kun guiyu To Peter. Paul. Rubens (1577 1640), the last major changes have taken place in painting media agent. Rubens brings to the Italian media agent of change, make it into any artist have been the most fluent in its configuration and gms vehicle, technically, with ease of skill, make Rubenss great to play, so as to achieve realistic painting of the peak, we found that, from a van love g to old bruegel, used to highlight the side light stereo image in painting, mainly with light paint a black, brown, or dark red, and heavy paint, due to its weight, heavy people bottom of the picture, leaving pits. Of course, there are exceptions, such as white, because of its dense degree, can be used to highlight image. Although these dense white thin layer form, but they have extremely strong covering power and bright is dazzing. They rarely preserved brushwork texture. When we study the paint on the Rubens painting, we found a completely different quality of a material, a kind of like custard that them a bit spongy or bubble texture a it in white and other color also showed a greasy brush strokes. The material of the brush effect, constitute a Rubens media agent, one of the important criteria at the same time show the master and the other properties of painting. In the thick paint coating, mane pen produce stripes with accurate and soft effect; Brushwork itself as round, the outline of stroke the edge did not show any obvious boundaries. Full implicit brush blanking itself a very gently disappeared in the surrounding material. This feature from the New York metropolitan art of two portrait of cardiac physical gym, can clearly see. The nose, eyes and eyebrows stereo effect has a very soft, light stripes produced from visible brush strokes. Both with thick writing method and transparent painting, all of these colors are a translucent material, but also shows rich custard appeara