戴望舒的雨巷情结与中国传统文化（Dai Wangshus Rain Lane complex and China traditional culture）.docVIP

戴望舒的雨巷情结与中国传统文化（Dai Wangshus Rain Lane complex and China traditional culture） Rain Lane complex and Chinese traditional culture in Dai Shu-shu In 1927, Dai-Shu, a rain alley to the Chinese new poetry left a Youwan chant: Supporting the paper umbrella, alone/wandering in the long, long/lonely rain lane/I hope to meet/A of lilac-like/sad girl. It sings, he said, filled with feelings of frustration and sadness and anguish (1). Like a dream, such as a song like weeping in the mood, showing a modern dreamer disappointment-dream-disappointment in the course of the journey. And that Jiangnan Rain Alley, from the poets hometown, not only his depressed life situation symbol, but also hinted that his lost heart longing to find refuge, he won the Rain Lane poet reputation of the art symbol. Dai Shu and Rain Alley is inseparable, because the melancholy poetic soul, because of the cultural feelings of the dream, because the pure poetic creation, cemented his thick rain lane complex. Dais Rain Lane complex there are too many connotations. It package the poets distress and disappointment to the real life, reveals a strong melancholy consciousness, that is, the typical modern mood; it symbolizes the poets desire to seek a fulcrum for the broken soul in the illusion of creation it shows that the dream and the pursuit of detached life mentality, the image selection criteria represented by Rain Lane and Lilac in the works, and the artistic structure of the whole poem clearly embody the tendency of classicism. Cutaway Dais Rain Lane complex, from this upright, highly educated Intellectuals (2) of the cultural identity, from this leading Chinese new poetry modernization process of the Modernist poets artistic pursuit, what is not to be overlooked is: The melancholy consciousness in the Rain Lane complex is the ancient Chinese scholar-bureaucrats humanistic tradition; the cultural mentality of the dream is connected with the traditional Confucianism and Taoism spirit; The classical aesth