2011解析IDSF最新评分规则（2011 analytical IDSF scoring rules）.doc

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2011解析IDSF最新评分规则（2011 analytical IDSF scoring rules）.doc

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2011解析IDSF最新评分规则（2011 analytical IDSF scoring rules）

2011解析IDSF最新评分规则（2011 analytical IDSF scoring rules） [1] standard dance evaluation criteria - analysis of the latest scoring rules of IDSF: -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- looking for new and eye-catching things are all common, especially for dancers this special group of people in the pursuit of beauty and imagination space, attract new something fierce. In the 2011 national sports dance judge the teacher training course, IDSF sports minister Marco Sietas combined with technical advice, such as player performance way, new judge standard to IDSF and analyzes the new scoring system. Though is that the new scoring system, but before the public explanation, IDSF has, IDSF Latin and ballroom, grand prix at the Asian games and other international competition for the new board of there have been a number of the test and application of cutting system, and achieved very good results, the 2010 guangzhou Asian games, the Chinese team perfect the perfect performance will benefit from the new board of cutting system of objective and fair evaluation. In grade a project, the subjective thinking for the results of the huge impact, IDSF secretary-general cheng chi wah has said dont have a referee like to see a country won the gold medal, but the new grading rules effective constraints the referee may germinate adverse independent consciousness, for each player each dance has carried on the comprehensive fair assessment. Now that IDSF new criteria has so many advantages, as the new set of cutting system is one of the developers, Marco Sietas should have the profound understanding and awareness, we look at what he said the new things. [2] 5 new standards for aesthetic : -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --