为旋律配和声（To the harmony of melody）.docVIP

为旋律配和声（To the harmony of melody） To the harmony of melody A general procedure for harmony of melody In the harmonies of size I, V and IV, the three chord habits are called positive triads, which form the basis of all kinds of harmonics. Having mastered the method of using the three chords in situ, you can enter into the topic of melody harmony. The changing forms of positive triads and other harmonic materials will gradually be added to the harmonizing process. The general procedure for melody harmony is: 1. Melody analysis Through analysis, clear melody tone, mode and simple structure. 2. Chord selection Determine the chord configuration of each note from the beginning to the end of the melody. This does not mean that a chord must be selected in the order of the notes. People usually begin work at the beginning of the melody, the end of the phrase, and the pieces of melody that are most suggestive of harmony. The harmony design of these sites has a skeleton of a building that can have a global impact. After the skeleton has been put together, it will be filled with the middle ground for those who have not yet had a clear choice, according to the existing harmonic conditions. Chord selection is the most important and difficult part of the harmony of melody. A melody can often have multiple choices. As the learning process and the accumulation of sound materials, the problem becomes more and more complicated. In relation to the selection of chords, there are problems with harmonic rhythm and harmony style, which must be solved by great force. 3. Bass design The bass is the second melody of the four harmonies, which should be smooth, complete and full of individuality. The bass line must operate within the scope of the chord selection scheme and is subject to the strict limits of the teaching schedule, but this is an effective way to exercise the free writing ability. Appropriate jump into (no more than an octave) can add a line of vitality, but unfavorable to use con