色彩与空间和感情的关系（The relationship between color and space and emotion）.doc

色彩与空间和感情的关系（The relationship between color and space and emotion） Architectural emotion space and color space are the unity of visual language environment in architecture space. It is through the aesthetic experience of people, and direct emotional appeal to people, so as to show their cohesion of a variety of emotions. The construction of emotional design and performance, relying on its most distinctive, most concise and intensive nature of things and can explain the most representative form, color, texture, decoration and other design elements, so as to form a comprehensive expression of the results is not only a factor that is fully loaded and explicitly stated. The emotion between building space and color space interdependence, interaction, mutual restraint, mutual fusion; the emotion space structure, cannot do without the provisions of color vision space order; and the color accuracy of colors, and is the location of building emotion information as the basis, is manufacturing and emotional factors, tools and means but the color itself is also have feelings, different hue of color and emotional expression in different environments is not the same. The emotion space and the color space exist harmoniously in the construction space, the visual language environment, and give the best visual expression and the appropriate and precise mental set for the architectural space. Architecture passes architectural emotions through its unique spatial structure and artistic expression. The construction of emotion and humanization of architecture space makes it full of specific emotional information. This particular building emotional solidification and display, is to have a rich connotation of the symbol structure specific perceptual form, namely the abstract concept of emotion to abstract symbols or figurative forms into perceived symbols or visual vocabulary, vocabulary with symbols to complete the transfer of emotion. The shape of Shanghai Jinmao Tower, and consciously lear