陈凯歌的风格（Kaige Chens style）.docVIP

陈凯歌的风格（Kaige Chens style） Like Kaige Chen director said a sentence: the movie is a lot of people in the dark party, to share a dream.. As a dreamer China film, Kaige Chen always wore a huge head of many literary and ideological elements, his cultural logic, suffering consciousness, talent passion, all into the movie cast in some people the limited capacity of art. In his world of light and shadow, the film is no longer merely a means of reproducing life, but a means of revealing and evaluating life. With this tool, he boldly express their feelings, with a critical eye to examine the state of human existence, the state behind the back down cultural tradition, and rational reflection on the. We can often experience his sharp criticism in his complex and elaborately constructed visual and sound shapes. With his profound cultural background and solid artistic skill, strong expression of humanistic meaning and aesthetic pursuit, and to mobilize a variety of film means, formed its own unique heavy and sharp, calm and intense movie style. In all of Kaige Chens films, whether it is a symbol of the yellow earth, singing, has a strong reflection of the big parade, king of the children, or gorgeous image Farewell to My Concubine, the promise, the film has reflected his thoughts. It is always the soul of Kaige Chens movies to express his reflection on culture in movies. His consistent artistic aim is to inject cultural reflection into the epic pattern and achieve transcendental rationality and philosophical meaning. His creative activities also have a coherent main line, that is to explain the changes and ups and downs of Chinese culture and history through films. This condescending creative attitude, although there is a carving of gas, but also formed his unique artistic sensibility. When this perception has experienced years of grinding, gradually transformed into a kind of style, and works in harmony, we can find from the awn sea in the name of Chens eye recognition mark the