陶瓷绘画艺术的语言形态特点(The morphological characteristics of ceramic painting art language).doc

陶瓷绘画艺术的语言形态特点(The morphological characteristics of ceramic painting art language).doc

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陶瓷绘画艺术的语言形态特点(The morphological characteristics of ceramic painting art language)

陶瓷绘画艺术的语言形态特点(The morphological characteristics of ceramic painting art language) The morphological characteristics of ceramic painting art language Blue and white is solemn and refined; ancient color color hard, strong and bright Pastel Pink embellish; soft, beautiful and elegant; color glaze color is gorgeous, resplendent with variegated coloration. Ceramic painting is a kind of art activity, is the use of lines, color, shape and composition, according to certain rules of conduct in the form of collocation, convey the spirit connotation of the task completed. Complete ceramic paintings is not only the manifestation of the function, but also has content to reflect and convey the spirit of the content, which is called the theme of painting. The morphological characteristics of a ceramic painting language Because of the different artists have different use of ceramic painting language, will produce colorful, different styles of paintings. Throughout the history of ceramic painting, blue and white, old color, color glaze, pastel painting form, we can understand the differences. Blue and white is solemn and refined; ancient color color hard, strong and bright Pastel Pink embellish; soft, beautiful and elegant; color glaze color is gorgeous, resplendent with variegated coloration. The artist to their work into a new sense of realism. The overall style of painting on ceramics, gorgeous, elegant and magnificent attitude, harmonious, realistic skill. They are good at color, pay attention to the color performance, using the technology of color separation, color combination, make the picture becomes bright brilliant. In the performance of color, they made good use of ceramic painting language, to work into a lyrical beauty. In the painting in the process of modeling, the main use of language form and color, even with no line, the other still will not have a big impact on the form of painting, architecture can still be established. Using the definition of contour line, as in

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