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爱森斯坦与杂耍蒙太奇(Eisenstein and juggling Montage)
爱森斯坦与杂耍蒙太奇(Eisenstein and juggling Montage)
Why did Eisenstein say two montage to the column and not two, but more like the product of two 2010-5-25 15:34 report | questionger: akamoonsen | Views: 906
In the battleship Potemkin as examples, please heroes help me, give me some hints, this problem is too professional, thank you add:
I need to be the battleship Potemkin as an example, do a simple analysis, thank you
Let me help him with the picture number, the layout map, and you can type in 9999 words
You submitted more than 50 words of reference, please delete
Reference: anonymously submit an answer
2010-5-29 11:29 report | satisfactory answer summary: whether Eisenstein said two montage to the column is not two and two, or the product itself is not important, important is the essence!
Change the amount of time the two and two, and the product is a process from quantitative change to qualitative change. Instead of plain words, the use of any two lens is not just a long time to tell the audience about a THING, but a breakthrough in artistic conception. The length of time doesnt matter. What matters is what the audience feels and what the audience thinks at the same time, or brings the audience directly to another atmosphere. Thats what makes the audience positive. The common custom is to get them goose pimples
Here is the online search:
As a master of film art, Eisenstein in the film field of three-dimensional structure, montage, sound and picture frame, single lens screen structure, color and film history, have carried out the research, create many aspects until now, the world any important film theory and Eisensteins works have no matter. [2] (P26) in view of Eisensteins rich film theory and master status, this paper only deals on his vaudeville montage theory, its theoretical content and its application in Eisensteins early films and strike the battleship Potemkin, with Eisensteins rich treasure montage theory of refraction. A, Eisenstein and montage of [1]1898 yea
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