浅论现代陶艺创作中的审美趋向.docVIP

浅论现代陶艺创作中的审美趋向 摘要审美问题是贯穿于整个现代艺术和美术理论中的核心问题。主客体的审美认识和审美创造，通过审美关系的联结，形成特定的审美观念。主体(观赏者)通过审美实践活动，在审美客体(作品)中发现、感知、认识和欣赏它的美，或把握它的其他美学特征，如崇高、生动以及艺术的真实性、典型性等。这种主客体之间的审美关系也在适时发生变化，审美观念也随时代审美风潮的变幻和价值取向的转移而发生变化。现代艺术自发兴盛以来，审美的界限突破了以往意义上的优美、崇高等感受，逐步走向多元化。审美观念也随之发展变化。伴随着现代艺术出现的现代陶艺也不例外，自出现以来，便以全新的面貌和快速发展变化的特征，迅速改变了受众心目中传统陶瓷艺术的概念。作为艺术核心功能与基本特征之一的审美，也迅速适应瞬息万变的艺术发展之路，适时嬗变，逐步衍生出现代意义上的全新的审美定势和价值观体系。其发展离不开时代背景和艺术发展潮流的制约，以及所处时代大的艺术氛围。本论文通过对现代艺术特征的分析，结合一些具有代表性的现代陶艺家和陶艺作品，对现代陶艺创作中审美趋向的发展和流变轨迹做出大致的分析判断。现代陶艺的审美趋向结合了现代艺术发展中注重情感因素的表达方式，把现代社会中的多元化审美趋势融入到艺术创作活动中，拓展了陶瓷艺术表现语言的丰富性，突出了艺术活动中的社会性与参与性。8853 关键词：现代陶艺；审美；趋向；情感；材料语言 Abstract: Aesthetic appreciation is a key item in modem art and art theory．People form certain sense of aesthetic appreciation by connecting aesthetic appreciation relations and find，sense，realize and enjoy art beauty by practice．Aesthetic appreciation relmions between subjects and objects are always changing and the sense of aesthetic appreciation is also changing with fashion and value orientation．Modem art has been persifying and is not confined within the traditional idea of elegance and grace．Modem ceramic craft impresses people with new and rapid developing art forms and changes the traditional concept of it．As one of the art functions and primary features，aesthetic appreciation has been generating wholly-new set theory and value system．This thesis focuses on the tendency of aesthetic appreciation in modem ceramic craft by analyzing some representative modem ceramic artists and works．It may conclude that some affection factors are combined into the development of modem ceramic craft appreciation and idea of rebellion and suspicion are taken into art creation．Thus ceramic craft is enriched in art expressive form and both social feature and participative feature are emphasized． 现代陶艺是世界陶瓷史上的重大突破，自出现以来，在继承和创新的基础上，发展成为独立的艺术门类。它与悠久的陶瓷史有着一脉相承的血缘关系，审美无疑是联系二者之间关系的纽带。现代陶艺特有的材料美感、形式感、空间、布局到内涵的美都在试图传递给受众一种信息，受众又在接受与不接受之间反馈信息，审美对话便由此产生。 二、关于现代陶艺 现代陶艺是指19世纪末，从现代艺术之都mdash;mdas