文学作品与影视剧的互动关系研究.docVIP

文学作品与影视剧的互动关系研究 摘要：历史跨入21世纪，文学和影视的互动也迎来了百年华诞。自影视剧出现以来, 影视剧与文学作品的互动就没有中断过。本论文就文学作品与影视剧的互动关系进行研究，以它们互动的基础为入手点，阐释二者互动的方式，如文学作品的图像化和影视剧的读本化，并在此基础上对文学作品与影视剧所产生的影响进行分析。进而引出对二者在互动过程中存在的问题的探讨，如背离原著和侵权行为的发生，并对以上问题提出合理化建议，如尊崇原著的基础上进行合理创新，增强法律意识等，以期待实现影视剧与文学作品良性、健康互动的目的。5928 关键词：文学作品；影视剧；互动基础；互动方式 The Interaction between Literary Works and Television Play Abstract：When the history strides into the 21st century, the communication between literature and film and video welcomes the birthday of one hundred years. Since the film and television play appeared, the communication of it and literary works has never interrupted. This text researches about the interactive relationship of literary works and film and television play, and illuminates the mode of their interact by thinking of their interactive foundation as breakthrough point, for instance, the visualization of literary works and the readability of film and television play, and basing on them to analyze the influence produced by literary works and the play of film and television. And then educes the problemsrsquo; investigate which exist in their interactive process, such as the occurrence of deviating from the original and tort, and put forward rationalization proposal according to the problems. Furthermore, on the basis of the original, it should do reasonable innovations and strengthen legal consciousness and so on, which look forward to realize the purpose that the play of film and television and literary works are interacting in the way of optimum and health. （一）两者的表达对象基本相同 无论是文学作品还是影视剧，表达的对象都基本相同，都是以我们所在的社会生活为中心，不是人便是物。其中最重要的便是人物形象的塑造，如《水浒传》中对各个英雄好汉的塑造和描写都类似，尤其是其中的鲁达，在小说中鲁达的性格就是见义勇为、慷慨大方，在1998年版的电视剧《水浒传》中，演员臧金生以粗狂朴实的演绎风格，把鲁达这种重义疏财、嫉恶如愁的性格发挥的淋漓尽致。还有无论是影视剧《红楼梦》还是文学作品《红楼梦》中，都是以贾宝玉这一人物为主线展开讲述的，讲述的也都是腐朽的封建大家族的没落的故事。 （二）两者的叙述方式相似 文学作品的叙述方式一般有顺序、倒叙、补叙、插叙四种。而影视剧的叙述方式也主要以时间顺序为主轴并穿插直叙、倒叙、插叙等方式。用这几种方式来表述，甚至影视剧本在归类方面也可以划分到文学剧本一类。如无论是影视剧《活着》还是小说《活着》中，都是以主人公ldquo;我rdquo;即富贵为叙述者，以时间为主轴，感慨万千的讲述了自己一生的遭遇与苦难。 （三）两者的目的相同 不论在任何一个时代