达芬奇(画论)透视学（Da Vinci (Art) perspective）.docVIP

达芬奇(画论)透视学（Da Vinci (Art) perspective） Perspective is a painting of the bridle and steering wheel. The relationship between the perspective and painting can be divided into three main parts: the first part is the reduction perspective, research object in different distance size; the second part of the object color reduction; the third part of the study object in different distance at lower resolution. The name of this three aspects as follows: line perspective, color perspective and hidden perspective. (S note: when Finch writes, the categories are even smaller. This article is segmented by the subdivided class.) [line perspective] Painting is based on perspective, and perspective is no other than a thorough knowledge of the functions of the naked eye. The function of the eye is simple: in a cone, the shape and color of all objects in front of the eye are photographed. The study of the functions of the line of sight, and by surveying, finds how much second things are reduced by the first thing, how much third things are reduced by second things, and so on, to the farthest objects. I rely on the experiment, several pieces of the same size and second objects if the distance from the eye is doubled and the first eye distance, the size is only the first half of third; moreover, the same distance distance second and second from the first object, then the size of the first and only 1/3, followed by scaling. Like a plane perspective, its just to see a spot from behind a smooth, transparent glass. On the glass surface, all objects behind it can be traced. These objects form a cone into the eye. (S note: Da Vinci certainly does not really have to use glass to describe perspective, but this has become a complementary method for many people to study perspective later.) Two horses along parallel runway to the same goal, if the eyes looked from the two runway, visible they run more and more closer to each other, because this is reflected in the eyes of the horse like to move the