抽象艺术和中国书法(Abstract art and Chinese Calligraphy).docVIP

抽象艺术和中国书法(Abstract art and Chinese Calligraphy).doc

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抽象艺术和中国书法(Abstract art and Chinese Calligraphy)

抽象艺术和中国书法(Abstract art and Chinese Calligraphy) When abstract painting rapid warming in the Chinese, according to many western people from Chinese abstract painter calligraphy and painting artistic phenomenon in the creation, that China as early as 3000 years ago in the bronze inscriptions have abstract art. Chinese painting an important aesthetic theory is to pay attention to the mood, only in the shape, wonderful in the image and not like this between and so on, and Western abstract painting theory has different approaches but equally satisfactory results. As for Kandinskys theory, the Chinese abstract art was changed into a fashionable saying for thousands of years. As a consequence, abstract art has long existed in China, and Chinese calligraphy is the most typical symbol of Chinese abstract art. Abstract art has many abstract patterns, such as dots, lines, structures, density and so on. In abstract painting founder Kandinsky abstract art, borrowed from the point of China calligraphy elements, Milo is even more blatant copycat. So, are Chinese freehand brushwork and Chinese calligraphy really abstract art? To answer this question, we must have a complete understanding of the history of abstract art and the definition of abstract art. An irrational purely visual form. There are three meanings: the first is the paintings do not depict, no objective image of the real world, also do not reflect real life; the second is not the theme of painting, no logical and rational explanation, neither thought nor mood expression. Third is purely by color and point, line, surface, texture, composition of the visual picture. Objectively speaking, the understanding of Chinese painting to formalism and the understanding and aesthetics of the artistic conception of painting are indeed much earlier than those in the west. Chinese painting artistic conception theory in the Song Dynasty painters devoted, the classic theory of between like and not like, that is the Ming Dynasty painter

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