中文摘要从生平历史与音乐创作重新审视江文也宫筱筠二十世纪初.pdfVIP

中文摘要 從生平歷史與音樂創作重新審視江文也 宮筱筠 二十世紀初以來，由於中國傳統音樂受到西方音樂的嚴重衝擊，如何藉由西方音樂技 術，創造出一種嶄新的民族音樂風格，或是說如何藉由民族音樂的特色 ，創造出中國 的新音樂，一直是華人作曲家最大的課題。而作曲家們的困境也在於 ，如何在創作中 融合這兩種截然不同的中西音樂傳統 。綜觀近百年來眾多作曲家的努力 ，江文也 (1910-1983) 的成就無疑是突出的。江文也不但對中西音樂有極為巧妙創新的融合 ， 對創造民族音樂風格更有決定性的貢獻。他不但經由深入徹底的鑽研吸收了傳統音樂 的精華及本質 ，回歸到傳統文化的根源 ，又同時賦予傳統全新的面貌。 關鍵字 ：現代 傳統 民族風格 A renewed observation of Jiang Wenye from the aspect of his life and musical creation Hsiao-Yun Kung Since the beginning of the 20th Century, how to create a national music style with western musical techniques, or how to create modern music with help of Chinese characteristics were and are the greatest task for the modern Chinese composers. The dilemma was that the Chinese composers were confronted with two in their nature very different musical traditions, namely the Western and the Chinese. On a general survey of the contributions of the modern Chinese composers, Jiang Wenye (1910-1983) takes a distinguished position in the history of the modern Chinese music. Jiang not only made a subtle fusion of Western and Chinese music tradition, but also had a decisive contribution to “Chinese-national” musical style.Owing to the intensive study of the diverse Chinese music and its different kind of musical thought he developed a style which absorbed the essence and nucleus of the Chinese music, and created a new appearance of the traditional Chinese music. Keywords: modernity, tradition, national musical style 從生平歷史與音樂創作重新審視江文也 宮筱筠 前言 自從80 年代初江文也被發現以來 ，對他的研究熱潮至今方興未艾 。證明了江文 也研究價值的歷久彌新 。除了兩岸三地學術界多次舉行的專題研討會 ，眾多學者從1 不同角度的探討 ，也已經累積了相當