林庚新诗理论研究 毕业论文.docVIP

I 林庚新诗理论研究 摘 要 中国是一个诗的国度，中国有三千年的诗的传统；新诗已走过百年 历程，新诗远未取得能与古诗相媲美的成绩。当代诗坛，自由诗依然是 主流，格律诗还在艰难的探索中，旧体诗仍有相当的追随者。新世纪之 初，新诗的命运引起许多学者的反思，新诗之要求典型体式的呼声也愈 加强烈。在新诗格律探索的历程中，出现了许多具有指导性和实践性意 义的探索者，如闻一多、何其芳、卞之琳等等，林庚亦是其中一位。 既是诗人又是学者的林庚，在新诗格律探索过程中提出了诸如 “ 半 逗律 ” 、 “ 典型诗行 ” 、 “ 节奏音组 ” 等新术语，这些术语吸引了许多 学者的目光；目光之所聚，或批评、或赞赏，皆是价值之所在。星辰固 然闪亮，但那星辰背后的幽深夜空，亦值得去探索。论文即以林庚的新 诗理论为主要研究对象，探索这些术语背后隐秘的联系，力图构建林庚 的新诗理论体系。林庚新诗理论体系即以 “ 自然诗 ” 理念为核心，以 “ 深 入浅出 ” 为表现原则，遵循普遍性的基本要求，包含诗意生成和形式诗 化理论。其中，诗意生成理论中诗的新原质是承载诗意的基本单位，并 以飞跃性的主要方式结构起来；形式诗化理论是林庚最成熟的理论集结， 其以典型诗行为核心，以半逗律为主要节奏模式，并在节奏音组的决定 作用下形成 “ 三位一体 ” 的诗行建设理论。林庚新诗理论对新诗的形体 建设和语言建设都作了深入研究，极具 “ 融古化今 ” 色彩，对当代新诗 建设有重要启示。 关键词 : 林庚；新诗理论；诗化；自然诗；深入浅出；普遍性 II Study on LIN Gengs New Poetry Theory Abstract China, a land of poetry, has a tradition of poetry for three thousand years. New Poetry have gone through the course of a century, failing to show results comparable with the Classical Poetry. Free verse is still the mainstream, and metrical poetry is in a harder exploration, as classical poetry still has considerable followers in contemporary poetry.Beginning of the new century, the fate of New Poetry has caused reflection to many scholars,and the voice requiring a typical style has become louder and louder. There have been many explorers of instructive and practica significance in the exploration history of rhythm of the New Poetry, such as WEN Yiduo, HE Qifang, BIAN Zhilin, etc, and LIN Geng is also one of them. LIN Geng, a poet and a scholar, has created mang new terms, such as Semi-pause Law, Classical Line, Rhythmic Group, etc, which attract the attention of many scholars. What they focus on is where the worth lies, no matter criticism or appreciation. The stars no doubt are shining, however, the deep and serene sky behind them is also worth exploring. Lin Gengs poetry theory as the main object of study, this paper tries to explore the hidden links behind these terms, committed to build Lins new poetry theoretical system. Natural Poetry as the core idea, profound-simpl