笔意在文人篆刻中的运用【毕业论文】.docVIP

致谢 时光流逝，转眼三年的学习生活已到尾声。这三年中有快乐地收获，也有纠 结的彷徨。形形色色的问题出现我的生活随即又被解决。回想起这期间的一切都 是特别珍贵难忘。 首先要感谢我的导师莫小不教授，在论文选题、初拟提纲、论述方向调整等 关键的时候都给予了极大的帮助。在开题的时候数易选题，是莫老师在旁指点才 使我走出迷途。在中期检查的时候论文论述方向出现偏离，又是莫老师及时指出 才使得论文回到正常轨道上来。三年的学习时光里处处都有莫老师的悉心指点和 谆谆教导，这将是我学习生活中最难忘的记忆。 感谢方爱龙、沈浩、赵雁君、陈根民等老师在论文开题时的建议与批评，为 论文的撰写提供了很多建议，加深了对命题研究的深度和广度。 I  摘要 自文人介入篆刻创作以来，书法与篆刻的关系日益密切。对于篆刻的品评也 与书法有着千丝万缕的联系。在文人的篆刻创作中笔意的表达一直是一个不可回 避的问题，甚至是体现意境的落脚点。自元眀以来关于印学的理论著作层出不穷。 其中对于“印从书出”的论述是印学史上里程碑式的进步，围绕着这一观点涌现 出大批将其付诸实践的篆刻家，这在篆刻的创作上也是一大高峰。古人对于书法 笔意的表达对于当今的篆刻创作是有极大借鉴意义，在对古人作品学习的基础上 进行范围的拓宽将是当今篆刻创作在继承和发展两者之间的平衡之举。 关键词：文人篆刻艺术；笔意；运用；创作 II  Abstract Since the scholars involved in seal cutting, The relationship between the calligraphy and seal cutting is becoming close increasingly. The judgement for seal cutting is also associated with calligraphy. In the seal cutting creation, there has an unavoidable problem, which is the literary expression of calligraphic style, this comes for Artistic expression, literally.Since the Yuan and Ming theory, the theoretical works of Seal cutting study begins to emerge in an endless stream.In this field, some discussion about Seal Comes From Calligraphy which is a milepost type progress of history of seal cutting. Around this view, a large number of Literati have emerged to putting this theory into practice, which create a peak in the history of seal cutting. The ancients’ expression for calligraphy is of a great significance in todays seal creation.How to attain a balance between continuation and development in todays seal creation will become an important issue, we should learning the ancient works and to make Wider based on it. Key words：literati carving art；calligraphy-stroke style；usage；creation III  杭州师范大学硕士学位论文  笔意在文人篆刻中的运用  目次 致谢......................................................................................................................................................I 摘要.....................................................................................................