拉威尔23首艺术歌曲和声手法研讨.pdfVIP

南京艺术学院 硕士学位论文 拉威尔23首艺术歌曲和声手法研究 姓名：王丞 申请学位级别：硕士 专业：音乐学 指导教师：乔惟进 中 文 摘 要 中 文 摘 要 莫里斯·拉威尔（Maurice Ravel 1875-1937) 是法国印象派作曲家最杰出的代表 人物之一。管弦乐是他最主要的创作领域，艺术歌曲创作数量较少，仅有 39 首，就目 前情况来看，国内研究拉威尔艺术歌曲中和声技法的文章目前还为数不多。本文选取其 中23 首作品为文本,对其和声技法特点进行分析、研究、归纳、总结，探索其和声在艺 术歌曲中的表现作用。 拉威尔艺术歌曲的和声技法研究，对致力于艺术歌曲创作的音乐工作者颇有一定的 借鉴意义和应用价值。笔者愿以此文抛砖引玉，引发更多对拉威尔音乐创作技法的研究。 关键词 拉威尔 艺术歌曲 和声技法 风格特征 音乐表现 I 南京艺术学院硕士学位论文 Abstract Maurice Ravel （1875-1937） is one of the most distinguished and representative composers in the French impressionism. The orchestral works are so dominating in his creation that accordingly influenced the number of his art songs. There are no more than 39 art songs in his composing field. Actually, there’s few articles in our country’s research of art songs presently. This article chose 23 of these songs as the subject of research, analyzed,disscussed,induced and summarized their characters of harmonic techniques, and made a necessary exploration to the expressional effect of these harmonic techniques. From this research of art songs’ harmonic techniques, I wish to throw out a brick to attract a jade, so as to find a more fitting way to understand this great musician’s creating specificity. Also this article hopes to encourage those now working at the creation of art songs, while it makes important theory meaning and practical significance. Key words: Ravel, art song, harmonic technique, features of style, musical presentation