玛丽莲梦露与相机05.pdfVIP

The color portrait is from Bernard of Hollywood. Two publicity stills for Niagara, 1953. Rarely in any film has an actress been so beautifully directed and photographed as Marilyn was by director Henry Hathaway and cameramanJoe MacDonald. Marilyn Monroe during the shooting of Niagara; on the left is the actor Dale Robertson. Publicity still for Niagara. The movie, filmed in Technicolor, received glowing reviews. The New York Times wrote: “Obviously ignoring the idea that there are seven wonders of the world, 20th Century-Fox has discovered two more and enhanced them with Technicolor in Niagara, which descended on the Roxy yesterday . For the producers are making full use of both the grandeur of the Falls and its adj acent areas as well as the grandeur that is Marilyn Monroe.” Publicity stills for Gentlemen Pref er Blondes, the film most people associate Marilyn Monroe with. Although she was paid the mini-stipend of $ 1500 a week, whereas costar Jane Russell received several times that amount, Marilyn remained self-assured: “It is Gentlemen Pref er Blondes, and I am the blonde.” Ronald Reagan, who a an army officer unwittingly had advanced Marilyn’ career with hi commi ion to David Conover in 1945, meet the tar at a Hollywood banquet. Photograph by Bernard of Hollywood, about 1953. The ph t grapher J hn Fl rea t k this picture f Marilyn M nr e during the sh ting f How to Marry a Millionaire, 1953. It is in the 20th Century-F x P rtrait Gallery . Publicity still f r How to Marry a Millionaire, 1953. Ph t graph by Bert Reisfeld. Marilyn in a particularly seductive pose, taken by John Florea, 1953. During the hooting of How to Marry a Millionaire, 1953.