development概要.pptVIP

Chinese Modern Music;In the early 1920 s, America and Europe pop music as a colonial expansion into Shanghai.;;At the same time, in Chinese inland, a local style of music from 30-40s bases began spontaneously formed, they have obvious regional and local flavor, a lot of musical materials are from the local folk songs, this period drama evolved, for example, Nanniwan and so on this kind of work.;In twentieth Century 80s once popular songs also not as the background in the nation, the original, pop music also began a big blowout type, declared the mainland pop music recovery. This one, by Cui Jian, magic stone Sanjie (He Yong, Dou Wei, Zhang Chu), black panther band, Tang Dynasty orchestra as a representative of the rock, the wolf, Gao Xiaosong as the representative of the campus folk songs, the city is represented by Chen Lin, Yang Yuying, Mao Ning as the representative of the youth idol singer, the rapid growth of the backbone for the mainland pop music, yet their influence in the 70 /80 at the end of the early generation peoples minds are still difficult to erase. There is a distinct characteristic, is has obvious independence, it does not derive from any genre, not to hear the time for Hongkong and Taiwan, imitation, it is our voice;Fifteen lyric song represents the early popular songs of 80s achievements. It inherits the originated in the 30s lyric mass songs, especially 50--60s lyric folk wind mass song tradition, expressed the peoples true feelings, graceful exquisite melody, is the reverse of the Cultural Revolution period high strength hard ring musical concept.??? ?? ? Established by fifteen lyric song writing style became the main genre of the new period songs, and early in 80s dominance. The lyric songs and pop music is not the true sense of the , but in a transitional style between the lyric songs before the Cultural Revolution and the mid 80s pop songs.;At the end of the seventys, European and American pop music and Hong Kong and Taiwan pop music conflu