Oscar Wilde and the Plaistow Matricide Competing Critiques of….pdfVIP

MERRICK BURROW* OSCAR WILDE AND THE PLAISTOW MATRICIDE : COMPETING CRITIQUES OF INFLUENCE IN THE FORMATION OF LATE-VICTORIAN MASCULINITIES This paper examines the ways in which the concept of “pernicious influence” was mobilized in late-Victorian periodical publications to reinforce a normative conception of masculinity through powerful discourses on the relationship be- tween textual consumption and identity. Discussion of the threat posed by “penny dreadfuls” drew not only on widely held assumptions regarding the criminalizing influence of popular fiction, exemplified by the case of Robert Coombes, but also made connections with the supposedly corrupting effemi- nacy of the “degenerate” intellectual, with the trials of Oscar Wilde as the main focus. The paper goes on to explore Wilde’s engagement with the concept of in- fluence across a wide range of his writings, in the course of which he developed an alternative critique of all influence as a perversion of self-realization. This re- lates in some respects to existing strands of critical debate relating to Wilde’s sexuality (for a summary of this scholarship which dominated critical discus- sions of Wilde in the 1990s, see Small, 2000; and Bashford, 2002). However, the current essay seeks to frame Wilde’s contribution in terms of late-Victorian de- bates on the cultural significance of reading practices and in relation to Wilde’s own critique of influence, by means of which he contested many of the assump- tions underpinning bourgeois conceptions of normative masculinity. Keywords: influence, literature, Victorian, masculinity, criminality, Wilde Late-Victorian debates on the root causes of criminality worked sometimes through the demonization of elements of popular culture such as “penny dread- fuls”—cheap magazines featuring