艺术学中国水墨人物画中的线性语言运用及拓展.pdf

目录 中文摘要···································································Ⅰ Abstract ···································································Ⅱ 引言········································································1 第一章 中国画线性语言的独特性 ··············································2 第一节 “独特性”审美成因·················································2 1．中国古典哲学文化的渗透·············································2 2．工具材质的特殊性 ···················································3 第二节 “线”的气、韵、意之美··············································4 第二章 传统水墨人物画线性语言的运用 ········································6 第一节 传统水墨人物画线性语言的发展脉络 ··································6 第二节 “写形传神，达意存真”——传统水墨人物画线性语言的运用 ·············7 1 ﹒以线造型··························································8 2 ﹒以线表势·························································10 3 ﹒以线达意·························································11 4 ﹒线的书写性 ·······················································13 第三章 现代水墨人物画线性语言的变革与传承·································15 第一节 线性语言在现代水墨人物画中变革的原因·····························15 第二节 “写实”造型与线性语言的塑造性 ····································16 第三节 “写生”与线性语言的生动性 ········································19 第四章 当代语境下水墨人物画线性语言的拓展 ·································22 第一节 线性语言的情感属性及对时代的自由表达 ·····························23 1．线性语言的抽象形态映射当代复杂矛盾的社会心理 ·····················23 2．线性语言的风格特征对艺术家个人情感的建构 ·························24 第二节 多元的线性语言运用 ···············································26 1．线性语言与人物主体塑造 ············································26 2．线性语言与形式表现················································28 结语·······································································30 万方数据 注释 ···································································