重写,或现场：中国建筑与当代艺术结合的十年.docVIP

重写,或现场：中国建筑与当代艺术结合的十年 Rewrite，or the Scene: the Ten-year willing marriage of Chinese Architecture and Contemporary Art Represent，or present: Ten Years of Interbreeding between Chinese Architecture and Contemporary Art 王家浩 周诗岩 重写现场：中国建筑与当代艺术结合的十年 1 1 共同-在场 1 2 元素-利用 3 3越界-建造 6 4 业余-批评 8 5 身份-测试 10 6 认同-集聚 12 7差异-流动 14 8 现场-重写 16 9 现-写 18 0．时间零 20 摘要： 文章介绍了中国建筑与当代艺术结合的十年。因为对有关历史的教科书式线性 “重写”持有怀疑，作者尝试通过一种现场化的叙述方式，呈现当建筑师和艺术家具有相异身份的个体实践被“捆束”后，个体和整体在运动状态上的变化。作者进而通过分析身份的自我认同与社会认同之间相互映射的复杂关系指出，集聚的意义在于，每一个身份进入共同现场都能成为一次持续的施力和受力过程，都会在推动集体涌动的同时发生自身的蜕变，因而集聚的效应究竟如何，必然只能在历时性的观察中，而非快速的重写中，被检验。 This article introduces the ten years of interbreeding between Chinese Architecture and Contemporary Art. Having a suspicion of the history textbookish linear “Rewriting”, the authors made an attempt to use another narrative mode---which is more closely to the Scene---to present the fluctuation of the different identities, as well as the whole group, which occurred after individual practices of some architects and artists were bind together. Further more, through the analysis of the inter-projecting relationship between self identification and social identification, the authors regard the signification of aggregation as such an effect: each special character entering a common field, as a procedure of stressing and being strained, could not only transmute the individual itself, but also stimulate the group to fluctuate at the same time. Therefore, aggregation effect can be tested only in the diachronic observation, but not in the instant-rewrite. 关键词：重写[Rewrite] 现场[the scene] 集聚效应[aggregation effect] 捆束[bundles] 身份[identity] 中国建筑[Chinese Architecture] 当代艺术[Contemporary Art] 1 共同-在场 2006年，上海，深秋冷雨夜。张江美术馆外的广场上停着一辆公交车，车旁的汪建伟，披着军大衣，手握秒表，指挥着“城市进行式·现场张江”第二次开幕式的最后一次合排。 明晚，公交车上不是来园区上班的乘客，而是几个戴着牛仔帽的“诗人”。看完散布在园区内十几件公共作品的人们回到这儿，将在短短的半小时内，在车子的带动下，前行和后退。冷不丁从人群中窜出几个现代舞者，远近几个投影幕上，不同步切换的现场直播和事先制作的影像画面，都会让置身于人潮中的“你”，无法确定自己这一刻该看什么。 建筑师与艺术家“共同”完成的现场，以一种“高规格”的方式正式宣布对外开放：多媒体对空间