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第二5讲阅读判断:Stage Fright(二) 职称英语综合B精讲课件教程教案.ppt
④续: Then choose three friendly faces in the audience, people you would communicate with and make music to, and make eye contact with them.” She doesn’t want performers to think of the audience as a judge.
4. To perform well on stage, you need to have some feelings of excitement.
5.If you have stage fright, its helpful to have
friendly audience.
; ⑤ Extreme demands by mentors(指导者) or parents are often at the root of stage fright,says Dorothy Delay, a well-known violin teacher. She tells other teachers to demand only what their students are able to achieve.
; ⑥ When Lynn Harrell was 20,he became the principal cellist of the Cleverland Orchestra(管弦乐队), and he suffered extreme stage fright. “There were times when I got so nervous I was sure the audience could see my chest responding to the throbbing. It was just total panic. ; ⑥续: I came to a point where I thought,‘ If I have to go through this to play music, I think I’m going to lookfor another job.” Recovery, he said, involved developing humility-recognizing that whatever his talent, he was fallible(易犯错误的),and that an imperfect concert was not a disaster.; ⑦ It is not only young artists who suffer, of course. The legendary pianist Vladimir Horowitz’s nerves were famous. The great tenor(男高音) Franco Corelli is another example. “They had to push him on stage,” Soprano(女高音) Renata Scotto recalled.;1) Whay did Mstislav Rotropovich trip Feltsman on the stage?
A. He wanted to play trick on him.
B. He wanted to make him lose face.
C. He wanted to cure his pre-performance anxiety.
D. He didnt do it on purpose.
2) How many signs of stage fright?
A. 2 B. 3 C. 4 D.5
;3) Which of the following is teachers and psychologists suggestions?
A. You have to deny that you are nervous.
B. Excitement is abnormal.
C. You didne need any excitement for playing.
D. To gain some experience, you need to play in public often.;4) Which of the following is wrong?
A. Before performance, you can take deep breath, ope
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