冯巩相声的语言艺术特征.pdfVIP

摘 要 本文以冯巩相声语言为研究对象,在参考中国传统修辞理论的同时,利用西方的语 用学理论，对冯巩相声语料进行了描述和深入的研究分析,提出了“包袱”形成的几个 主要手段,也从修辞和语用角度解释了冯巩语言“包袱”产生和让人发笑的原因,总结其 所具有的特点。文章分为五个部分： 第一章：绪论。概述论文的选题依据、研究价值、指导理论和研究方法。 第二章：包袱特色。列举冯巩相声语言“包袱”的主要构成手段：同话异境、自相 矛盾、故意曲解、先伏后揭、将错“纠”错等。 第三章：辞格的运用。以夸张、比喻、仿拟、返射、双关、析字、反语为例，从修 辞角度对冯巩相声语言的修辞特色进行了深入分析，从而解释了其“包袱”形成的内在 原因。 第四章：会话合作原则的超常运用。运用西方语用学理论会话含义中的合作原 则，分析了冯巩相声语言在此方面的超常运用，从语用学角度解释了其“包袱”的形成 原因。 结语：指出冯巩相声语言利用多种语言手段组织“包袱”，并形成的具有冯巩特色 的语言风格。 关键词：冯巩相声语言,包袱特色,辞格的运用,会话合作原则 I ABSTRACT In this paper, we set up Feng Gong’s cross—talk language as research object ．We take examples from theories of traditional Chinese and Western Rhetoric Pragmatics theory, drawing on description and analysis of corpora, and the method of dynamic and static to study the internal mechanism of the cloth-wrapper, and then put forward the manifestation of the cloth-wrapper ．Finally, we summed up the special characteristics of Feng Gong’s cross—talk language ． The full text is divided into six parts ： Chapter one: Introduction ．We summarize the issues which will be studied in this paper and its significance. Then, introduce the status of related subjects, as well as the focus, difficulty and innovative point in this paper ．Finally, we make out the guidance theory and research methods ． Chapter two: Rhetoric characteristics. We research the rhetoric characteristics based on Feng Gong’s cross—talk language ，for example ，exaggeration, metaphor, reinterpretation and pun. Then, reveals the internal mechanism of the cloth-wrapper from rhetoric angle ． Chapter three: Pragmatics Characteristics ．We analyze language used extraordinarily based on the pragmatic aspect and Feng Gong’s cross-talk language ．Then,