清代皇室书法由帖转碑的代表——永瑆书法研究-representative of imperial calligraphy in qing dynasty transferred from post to tablet - study on yongxuans calligraphy.docxVIP
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清代皇室书法由帖转碑的代表——永瑆书法研究-representative of imperial calligraphy in qing dynasty transferred from post to tablet - study on yongxuans calligraphy
南京艺术学院硕士学位论文中文摘要永瑆是清中期书法名家,具有皇室与文人的双重身份。本文梳理了永瑆书法的艺术特点及书论思想,通过分析永瑆书法三个时期书学资源及风格的变化、他对唐碑的高度评价,窥探清皇室书法由帖到碑的转变,重新评价永瑆在尚碑运动中的特殊地位和贡献,以及他在皇室书法中承上启下的作用。借此总结皇室与文人的互动关系对书法文化传承的意义以及皇室书法观的局限性。【关键词】:永瑆书法清代皇室碑学帖学IIIAbstractYongXingisamasterofcalligraphyinmid-QingDynasty,whopossessesdoubleidentitiesofbothroyaltyandlitterateur.Thisarticlehassettledtheartisticfeaturesandthemes,analyzedresourcesandchangeinstyleinthethreestagesofYongXingcalligraphyandexpressedhighlyofthetabletofTangDynasty,lookedinothechangeofcalligraphyfromposttotablet,andreevaluatedthespecialstatusandcontributionofYongXingintheTabletAdvocatingMovementaswellastheimportantroleheplayedastheconnectionlinkinroyalcalligraphy,thereoutsummarizingtheimportantroleinteractionofroyaltyandlittereurplaysinculturalinheritanceandthelimitationofroyalcalligraphy.[keyword]:YongXingCalligraphyQingDynastyBeiXueTieXue目录中文摘要......................................................................IAbstract.....................................................................II绪论.........................................................................VI第一章永瑆承上启下的特殊地位.......................................1第一节康乾时期的赵董书风及流弊..............................................1一、对明末清初狂草书风的抑制.........................................................1二、董书成为书学的主流...............................................................2三、“馆阁体”成为书法发展的流弊.....................................................2第二节嘉道时期永瑆书法的唐碑转向与影响.......................................3一、永瑆书法承上启下的作用...........................................................3二、永瑆对皇室书法的影响.....................................................4第二章永瑆书法的艺术特点...........................................5第一节永瑆的书学渊源及交游.................................................5一、永瑆生平略述.....................................................................5二、永瑆的书学渊源...................................................................7三、永瑆的交游......................................................................11第二节永瑆书法的审美风貌...........
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