四代喜儿在歌剧《白毛女》中的艺术特征分析-an analysis of the artistic features of four generations of xi er in the opera.docxVIP

目录摘要.............................................................................................................................IABSTRACT......................................................................................................................I绪论..........................................................................................................................-1-第一章四代“喜儿”与歌剧《白毛女》的不解之缘..........................................-3-一、王昆与歌剧《白毛女》的不解之缘...............................................................-3-(一)王昆自身对艺术的挚爱................................................................................-3-(二)王昆与歌剧《白毛女》的良缘....................................................................-3-二、郭兰英与歌剧《白毛女》的不解之缘...........................................................-4-(一)郭兰英对艺术的奋不顾身............................................................................-4-(二)郭兰英的身世与歌剧《白毛女》的缘分....................................................-5-三、彭丽媛与歌剧《白毛女》的不解之缘...........................................................-6-（一）彭丽媛的完美艺术人生...........................................................................-6-（二）彭丽媛与歌剧《白毛女》的缘分...........................................................-7-四、谭晶与歌剧《白毛女》的不解之缘...............................................................-7-（一）谭晶对艺术的不懈坚持...........................................................................-7-（二）谭晶与歌剧《白毛女》的缘分...............................................................-8-第二章歌剧《白毛女》创作至今，四代“喜儿”所体现出的艺术特征..........-9-一、艺术特征概述...................................................................................................-9-（一）用音乐来刻画人物形象...........................................................................-9-（二）人物中心和主题的运用...........................................................................-9-（三）运用和借鉴西方歌剧的创作经验.........................................................-10-二、四代“喜儿”所体现出的艺术特征.................................................................-10-（一）王昆以民间唱法为基础，拉近“喜儿”与观众的距离....