万物为师,生机为运——试论中国画创作的生活性-everything is the teacher and vitality is the luck - on the life of chinese painting creation.docxVIP

万方数据 攻读硕士学位期间取得的科研成果．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．33 攻读硕士学位期间部分美术作品．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．35 山东师范大学硕士学位论文 中文摘要 绘画与生活的关系是艺术家不可回避的问题，每个艺术家都有自己独到的见解和精辟 的言论。我们无时无刻不在过生活，但或许是因为太显而易见的缘故，使得我们年青一代 的绘画工作者在创作过程中有时会流于生活表面，而忽视了生命生活对我们绘画创作的真 正意义。对生活的观察越来越少，甚至会出现闭门造车的状况，加之对相关有指导意义的 专业文献阅读量较少，使得在日常的创作过程中举步维艰。本文试图从分析中国画创作的 “生活性”问题中，探索生活与中国画创作的关系，强调以自然万??为师，师从生活的重 要性。 本文共分为三章。第一章主要通过分析生活中客观的现实因素和主观的情感因素来阐 述政治、经济、地域、文化、情感等因素对传统中国画绘画创作的取材及绘画风格形成的 影响。第二章以鸦片战争以来的近、现代中国画的变化为突破点，试探性的阐述了中国画 创作的“生活性”在新的时期又拓展了哪些方面的内涵。第三章主要以漫谈的形式，突出 说明写生是使创作更有生活气息的有效方法，并从写生的重要性以及现在我们创作面临的 问题等方面展开讨论。希望通过分析总结的方式，能够对中国画创作的生活性有进一步的 了解。 关键词：生活；生活性；写生；创新；情感 分类号：J202 I  Abstract In painting and the problem of living as a cliche topic is often brought many artists often attention by people, most of them are painting and calligraphy masters mentioned in the painting, or writing, access. Everywhere in our life, but perhaps because too obvious, making our painting workers sometimes young generation in the process of creation will become life surface, and ignore the true meaning of life for our painting creation, so that the observation of the life less and less, can appear sometimes behind closed doors, and the related teaching meaningful reading professional literature is relatively small, struggling in the creation of the daily life, this article attempts from the analysis of life in Chinese painting creation, to explore the life and the relationship between the traditional Chinese painting creation, emphasizes the natural things to my teacher, from the importance of life, through this paper and the students. This article is divided into three chapters, the first chapter mainly through the analysis of the reality of life objective factor and subjective emotional factors to illustrate the political, economic, geographical, cultural, emotional factors based on the traditional Chinese painting creation and painting style formation. The second chapter with a since the opium war, modern and c