《古诗十九首》抒情艺术探析美学专业论文.docxVIP

A Study on The Lyric Art of “The Nineteen Ancient Poem” Abstract The Nineteen Ancient Poem is an Outstanding Representative of Scholar’s Poem with five characters to a line in last years of Han Dynasty and gets extremely high appraisal in the history of literature. Around the specialty of “The Nineteen Ancient Poem” which is good at lyrical, this text analyses why it has a beauty of soul-stirring feelings and probes into it’s unique meaning on Lyrical Structure, the Actual Situation in the Poetic Conception, as well as the change of lyrical Person and Visual angel. On emotion expression, The Nineteen Ancient inherits fine tradition of Chinese Lyrical Poem which holds in esteem of expressing emotion sincerity and naturally. It stresses on own feeling’s expression, singing out the aspiration and grievance. Simultaneously, the works surpasses the pain of one’s own, writes out the most generality feelings, and moved every reader’s soul deeply. In the sense of Aesthetics, the works also expresses right desire boldly; breaks away from the fetters of Confucianism, and shows an awakening of individual consciousness. At last: the poet’s turns the change of feels into concrete figure by details which adds the artistic appeal and has a far reaching influence. As the mark of the creation turns from folk to scholar, The Nineteen Ancient Poem gets great achievement on lyrical art. On setting up of lyrical structure, it has the Touching-off Structure of “Touch things and move”, the Deep Thought Structure of “Space-time continuum interlock”, the Narration Structure of “Set up things reside feeling”. By these, the poets turn the abstract and changing feelings into actual things, and the poem moved readers in the end. But on dealing with the actual situation, it divides into three ways: “Turn timid into real, there has timid in real”, “Timid and real crisscross and contrast”, “Like real and also timid, like timid and real even”. The dealing with the actual situation ingeniously make