“製”画刍议-艺术学；美术学专业论文.docxVIP

摘要 摘要 I I 摘 要 本文立足于工笔画创作技法的具体内容和技法的内在文化要求分析，反 思工笔画技法与艺术创作及与中国传统文化审美的关系。进而试图找到一些 规律和方法，使得当代工笔画创作能找到更适合的技法运用手段及语言形 式，来更好的反映、表达当代工笔画艺术创作者的精神、思想和情感。 笔者通过对工笔画落款处经常出现的“製”字的分析，以“製”字的字 面含义为切入点，探讨了落款处的“製”字在工笔画中对应的含义，明确了 工笔画落款处的“製”字，有着强调工笔也是一项艺术创作的含义，从而区 别于工匠画。又通过探讨传统工笔画具体材料技法的内容和内在审美的原 因，了解传统工笔画技法语言与创作目的之间的关系与规律。进而根据规律 反思当代工笔画的技法语言与文化审美应该具有的关系、样式和内容。 文章最后以更好的进行当代工笔画创作为目的，阐明了当代工笔画在技 法的选择和运用上应该调整的原因，并对当代工笔画创作应具有的文化审美 和技法要求提出了自己的观点。 关键词： 製 技法 文化审美 工笔画创作 Abstract Abstract II II Abstract Based on the concrete methods of claborate-style painting and the inner cultural aspirations of such painting skills, this paper analyzes and reflects upon the relationship between the techniques of claborate-style painting, artistic creation and Chinese esthetics rooted in traditional culture. This paper seeks further the laws and methodology so that more appropriate techniques and artistic language can be applied to the claborate-style painting, so as to better express the spirits and emotions of the creators of modern claborate-style painting. The author starts from the analysis of the word “Zhi” (make), which is often found in inscriptions. Using the verbal meaning of “Zhi” as a breakthrough point, the author discusses its meaning in claborate-style painting, emphasizing that this “Zhi” points to the fact that claborate-style painting is a process of artistic “making” and creation, which distinguishes itself from paintings by mere painters. The author also analyzes the materials employed in traditional painting techniques, and the inner reasons why such materials are used—analyses by which the relation and laws connecting the artistic language of traditional claborate-style painting and its creative objective, according to which a reflection on what relation techniques and esthetics should keep, in what format, with what content, can be made. With the aim of better artistic creation in mind, this paper concludes with an elaboration on the reason why modern claborate-style painting requires ad