承古借今——我的国画山水创作-inheriting the past and borrowing the present - my traditional chinese painting and landscape creation.docxVIP

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承古借今——我的国画山水创作-inheriting the past and borrowing the present - my traditional chinese painting and landscape creation.docx

承古借今——我的国画山水创作-inheriting the past and borrowing the present - my traditional chinese painting and landscape creation

I I 摘 要 本篇论文主要讲述我自身在进行绘画创作过程中的创作思路和创作时遇到 的问题,以及在具体进行创作时个人对绘画的体会心得。 因为我个人对传统山水的兴趣,所以我在进行绘画创作时也主要以自身对传 统山水的理解进行创作。在古代画家中主要参考学习了元四家、沈周、石涛、弘 仁以及八大山人的绘画风格和笔墨语言,同样在近现代画家中我主要针对性学习 的同样是江西老一辈画家黄秋园先生。而对当代山水画的学习主要是通过展览画 册与现场观看结合,对当代绘画的笔墨语言与表现形式加以理解,然后结合自身 的认识总结到绘画创作过程当中去。同时因为创作作品数量多,所以时间跨度较 大。在进行绘画创作的过程中,不同时间段对绘画的理解同样不同,有时候对以 前所进行的绘画创作经常会推到重建,面临了许多问题而在这过程中导师的指导 让我受益匪浅。在其中几幅绘画上我采用了在陶瓷上绘画的方式,主要体验在不 同材质上绘画的变化感觉。 在这些创作过程之中我感觉自身对山水画有了更为深刻的认识,虽然我的主 要表现形式依旧以传统山水为主,但在学习和了解了一些现当代画家的作品后, 并尝试加入到自己的画面之中形成的画面感觉让我对于山水精神和笔墨语言有 了自己的一些理解。当然这种个人的理解仍就是不全面和浅薄的,这也同时反映 在我的绘画创作上。例如山石结构的程式化和笔墨变化的单调这些问题都是需要 自己在今后绘画当中加以解决的。 关键词:山水创作;传统笔墨;元四家;黄秋园;陶瓷绘画 II II Abstract This paper mainly tells the story of my own in creative ideas, problems encountered in the process of painting creation, and creation in the specific personal experience of painting. Because of my personal interest in the traditional landscape painting, so I in the painting is mainly based on their own understanding of the creation of traditional Chinese landscape. In the ancient painters mainly study four Yuan, Shen Zhou, Shi Tao, Hong Ren and Ba Da Shan Ren painting style and language of ink, also in the modern painters, I mainly study the older generation is also the Jiang Xi painter Mr. Huang Qiu Yuan. The study of contemporary landscape painting is mainly through the exhibition catalogue and watch the scene with pen and ink language and forms of understanding of contemporary painting, then according to their own understanding of painting process. At the same time, because of the creation of works quantity, so the time span. In the process of painting creation in different period, different understanding of the same painting, sometimes before the painting often pushed to the reconstruction, faced many problems and mentor in the process of the guidance that benefited me. In several of my painting by painting on ceramics, painting the main experience changes on different materials in feeling. I feel to the landscape painting have a more pr

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