北宋释惠洪绘画思想研究-美术学专业论文.docxVIP

上海师范大 上海师范大学硕士学位论文 中文摘要 英文摘要 英文摘要 上海师范大学硕士学位论文 - - - I PAGE IV PAGE IV - - 摘要 释惠洪是北宋后期临济宗之高僧，于禅学、禅史、诗文、书画等方面皆 有颇高造诣。他将禅宗思想与绘画创作相结合，形成了独到的绘画思想，对 禅宗绘画发展产生了深远的影响。本文以他绘画思想为研究方向，从四个方 面展开讨论： 第一、将惠洪置于北宋绘画史中，来讨论惠洪绘画思想产生的背景因素。 通过分析唐以后禅宗绘画发展概况，以及惠洪与当时禅僧画家、文人士夫的 交往，帮助认识惠洪绘画思想产生的历史语境，挖掘出影响惠洪绘画思想的 时代因素。对惠洪绘画创作与鉴赏的分析以及审美取向的还原，为进一步理 解其绘画思想的形成大有裨益。 第二、通过讨论禅宗绘画在实践与理论上的矛盾，分析惠洪的绘画本质 论。惠洪认为绘画与佛性是表象与本体的关系，通过表象可以认识本体，就 像能通过花认识春天。进一步惠洪又将绘画视为参禅悟道的工具，提出“以 笔墨作佛事”的说法。 第三、惠洪结合佛教“游戏三昧”思想提出了“游戏翰墨”的主张，并 以此作为禅宗参与绘画的要旨，为禅僧画家打通了以画悟道的方便法门。“游 戏翰墨”不仅被禅僧画家广泛接受，促进减笔水墨风格的发展，也对文人画 产生了一定的影响。 第四、惠洪将禅宗思想应用到绘画创作与审美鉴赏中，提出“妙观逸想” 的艺术思维观，作为禅宗绘画创作的指导要求，对后世禅宗绘画的发展影响 颇深。 惠洪将禅宗绘画实践与禅宗思想相结合，将笔墨视为佛事，认为深得佛 法三昧的人可以从中来去自由，无滞无碍，也能通过绘画了解佛法精义，借 绘画来度诸有情。 关键词: 惠洪 禅宗思想 禅宗画 Abstract As an eminent monk of Rinzai branch in Buddhism in the late Northern Song Dynasty Huihong Shi is titled “Best monk in Song Dynasty” due to his high attainments in Chan philosophy, history of Chan, poetry, calligraphy and painting, and so on. With his unique painting theory as the research direction, this paper discusses the following four aspects: Firstly, with his friends circle as a starting point, this paper analyzes Huihongs painting activities in the panorama of painting history of Northern Song Dynasty. Through Huihong’s contact with the then monks of Chan Buddhism, it explores his influence on them. Though the study of Huihong’s association with scholars like Tingjian Huang and Shi Su it discusses the relationship between Huihong and the literati group. Through the analysis of the appreciation of Huihongs works and the restoration of his aesthetic orientation, the understanding of Huihong’s aesthetic idea of free expression and “spontaneous imagination” is greatly promoted. Secondly, through discussion of painting and Buddha nature, this paper tries to understand the relationship between painting and Chan monks. Huihong, as a highly-respected Chan monk in the field of literature and art, has steered the means of “no establishment o