超现实主义的摄影与绘画的比较研究-艺术学；美术学专业论文.docx

摘要 摘要 摘 要 自摄影术诞生起，摄影与绘画并驾齐驱，相互影响，相互促进。摄影和绘画 的关系一直都非常密切。超现实主义（一战以后产生的艺术思潮）作品之中能够 体现一种介于幻想与现实之间的视觉感受。本文把同在一个艺术流派之中摄影和 绘画放在一个较为微观的角度进行比较分析，找出各自具有的表现和个性特征。 分析比对隶属于同一个超现实主义流派之中摄影和绘画的关系。分析两者的 相互关联，两者的借鉴关系以及相互存在的差异，为摄影专业提供新鲜的理论研 究土壤。在新的历史条件下，两者的交融将是一种长期的文化现象，本研究是为 了结合当前创作理论对摄影的发展（现代摄影教育、创作、理论）带来新的思考 和一些积极的借鉴意义。 关键词:摄影与绘画，超现实主义，联系与差别，借鉴 I Abs Abstract Abstract Since the birth of photography, the photography and painting develop parallel, influence mutually and promote each other. The relationship between photography and painting has always been very close. Surrealism (generated after the First World War in the school of art) ，whose work can reflect a visual sensation between fantasy and reality. In this article, photography and painting which belong to the same school of art are contrasted and analyzed on a more micro-perspective, and we have found their performance and personality characteristics respectively. Analysis and contrast belong to the relationship between photography and painting of the same school in surrealism. Their work are analyzing the interrelation between photography and painting, namely the relation of using for reference as well as the difference between them. Analysis provide fresh soil for the professional photography of the theoretical studies. In the new historical conditions, the blend of the two would be a long-term cultural phenomenon. This study was created in order to combine the current theory of creation to bring some new thinking of the development of photography (modern photography education, creation, theories) and some positive referential significance. Keywords: photography and painting surrealism relations and differences using for reference II 学位论文独创性声明 本人郑重声明： 1、坚持以“求实、创新”的科学精神从事研究工作。 2、本论文是我个人在导师指导下进行的研究工作和取得的研究成果。 3、本论文中除引文外，所有实验、数据和有关材料均是真实的。 4、本论文中除引文和致谢的内容外，不包含其他人或其它机构已经发表或 撰写过的研究成果。 5、其他同志对本研究所做的贡献均已在论文中作了声明并表示了谢意。 研究生签名： 日 期： 学位论文使用授权声明 本人完全了解南京师范大学有关保留、使用学位论文的规定，学校有权保留学位论文 并向国家主管部门或其指定机构送交论文的电子版和纸质版；有权将学位论文用于非赢利 目的的少量复制并允