陇南白马藏族傩舞戏源流及其层累现象.pdfVIP

2011 4 文 化 艺 术 研 究 Apr. , 2011 4 2 Studies in Culture Art V l14 N 12 : 1674-3180 ( 2011) 02-0193-07 陇南白马藏族傩舞戏源流 及其层累现象* 蒲向明 ( , 742500) : 考察陇南白马藏族傩舞戏发展演进的源流进程, 可以发现显明的层累现象: 处于 傩 舞戏源头的 / 池哥昼0 , 最有价值的是 傩面具的三目神造型, / 麻昼0 以本部族神 崇拜为 前提, 以十二种动物来发挥驱疫逐魔的功能, 渐蜕为 一种娱人为主的民俗活动; 在两者基础 上, 陆续层累演化出了处于中流末流阶段的 他傩舞戏样式, 如 / 阿里该昼0/ 甘昼0 / 池母擀面0/ 杀野猪0/ 秋昼0/ 嘛勾池0/ 秦州客0/ 拐格达0 等这种层累现象, 在展 现 自身文化特色和蕴含的同时, 也显示了傩文化的整体性与传承的零散性之间的明显矛盾, 又说明了傩舞戏源流与他们的生活环境生活方式在民族传承的经验方面有着密切关系 : 陇南; 白马藏族; 傩舞戏形式; 层累现象 : J72212 : A On the Origin and Development Stage of Baima Tibetan. s Exorcism Dance-dramas in Longnan Pu Xiang- ming Abstract: When studying the rigin and ev luti n f Baima Tibetan. s ex rcism dance-dramas, we can find several distinct stages f devel pment. The very first stage is called/ chige-zh u0, in which the mask f ex rcism is m deled after the Trin cular G d. / Ma-zh u0 uses twelve animals t ex rcise devils with the w rship f tribal g ds as the premise, which has gradually turned int a f lk activity f r amusement. Based n the previ us tw stages, ther kinds f ex rcism dance-dramas are created, including / aliga-i zh u0 , / gan-zh u0 , / chimuganmian0 and s n. These stages f devel pment, while displaying l cal cultural characteristics and significance, sh w a relatively bvi us c nflict between the integrity f ex r-