BriefAnalysisofZhengBanqiaoArtisticInnovation郑板桥艺术创新简论.PDFVIP

Art Research Letters 艺术研究快报, 2015, 4(3), 26-32 Published Online August 2015 in Hans. /journal/arl /10.12677/arl.2015.43004 Brief Analysis of Zheng Banqiao Artistic Innovation Shujun Zhang Taizhou Municipal Party School, Taizhou Suzhou Email: 6802229@163.com th th rd Received: Jul. 13 , 2015; accepted: Jul. 27 , 2015; published: Aug. 3 , 2015 Copyright © 2015 by author and Hans Publishers Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). /licenses/by/4.0/ Abstract Zheng Banqiao was a famous artist in the Qing Dynasty of China, and was also famous abroad, oc- cupying an important position in the Chinese art history. When he was young, he studied calligra- phy and painting hard, and after numerous times of practice and exploration, finally formed his own chirography style—“six and a half”. Zheng Banqiao stressed the dominated function of mean- ing: painting bamboo without bamboo in the mind, painting orchid without orchid in the mind, neither setting up a format nor leaving one. He also stressed that the relationship between inhe- ritance and innovation should be handled well, and claimed the own style, insisting different cal- ligraphy and painting styles compared with others. Zheng Banqiao’s artistic achievement is ex- tremely high, and his innovative method and spirit are worth learning today. Keywords Calligraphy and Painting Style, Artistic Innovation, Zheng Banqiao 郑板桥艺术创新简论 张树俊 中共泰州市委党校，江苏 泰州 Email: 6802229@163.com 收稿日期：2015年7月13 日；录用日期：2015年7月27 日；发布日期：2015年8月3 日 文章引用: 张树俊. 郑板桥艺术创新简论[J]. 艺术研究快报, 2015, 4(3): 26-32. /10.12677/arl.2015.43004