耿湋及其诗歌研究中国语言文学;中国古代文学专业论文.docxVIP

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耿湋及其诗歌研究中国语言文学;中国古代文学专业论文.docx

耿湋及其诗歌研究中国语言文学;中国古代文学专业论文

摘要摘要 摘要 摘要 耿淖,亦作耿纬,河东(今山西永济)人,是唐代宗年间诗坛著名的“大历十才 子之一。据清康熙四十一年所刻一卷本《耿拾遗诗集》,耿淖现存诗歌165首,在 “大历十才子中算是存诗较多的一位诗人,但历来学术界却对其关注甚少。耿滓作 为大唐王朝历经“安史之乱”,由盛世走向衰落的见证人,他的诗歌中无疑回荡着那 个时代的音符。因此,对耿漳及其诗歌进行全面的研究,有助于我们了解那个时代文 人的心态及当时诗歌创作的整体风貌。 本文共分两编,上编主要是对耿淖的交游和诗歌创作进行考论。首先依据史料的 记载,分别考述了耿滓与官宦之人、僧人及隐士、同时代诗人的交往情况。然后对耿 漳不同时期诗歌创作的思想倾向进行了深入的分析,提出耿滓的诗歌创作受到杜甫的 影响,在“大历十才子’’中是比较注重反映动荡的社会现实的一位诗人,从而纠正了 前人的一些误解。最后对耿漳诗歌的艺术特征进行了探讨,特别是对他喜欢用典,以 及用典的方法和特点作了细致深入的考察。下编对耿淖诗集进行了校勘和笺释,并对 部分诗歌进行了编年和辑评。 关键词:唐诗,耿淖,《耿拾遗诗集校注》 AbstractAbstract Abstract Abstract Geng Wei(滓),which is called Geng Wei(纬),is born in Hedong(what is now Yon西i county in Shanxi Province),during the period of Tang Daizong,he is one of the famous “the ten talents of the Dali period”in poets.According to a roll of the Gengshiyi’S poetry which was carved in forty-one years of Emperor Kangxi,Geng Wei left US 165 poems,he can be seen as a poet who left more poems among‘the ten talents of the Dali period”,but he has been paid less attention throughout the history of academic circles.Geng Wei acts as a witness which Tang Dynasty from prosperous period to be on the wane,after going through Anshi Rebellion.Undoubtedly the era of notes resounded through out in his poems. Therefore,all overall study of Geng Wei and his poems,will help US understand the mentality of scholar’S,as well as the whole style of poetry creation at that time. The thesis consists of two parts,the first part is mainly concerned with the research of travel experiences of Geng Wei and poetry creation.Firstly,according to historical records, respectively researching the situation which Geng Wei communicates with official persons, monks and hermits,as well as contemporary poets.Then,carrying on deeply analysis to the Geng Wei’S ideological tendency of poetry creation in different periods,putting forward Geng Wei’S poetry creation is affected by DuFu,he is a poet who pays more attention to reflecting the unrest social reality,among‘‘the ten talents of the Dali period’, thus correcting prede

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