解析80后油画创作者的感觉受生存环境的影响-美术学专业论文.docxVIP

11111111\\1\11111111111\1\111111111111111111111111 号 摘要 Y1849880 摘要 迄今为止，当下国内及国外的油画作品的表象可谓是色彩缤纷，应接不暇。 从改革开放以来，油丽踏入中国至今的走势来看，在油画技法上主要表现 特征为:以写实的手法来重写对象。画面的情景感与文学感特别的关键。氛围 十分的重要。画面具有焦点透视的写实感，运用明睛和造型突出主体，色调的倾向 性形成画面的意境并烘托主题。众多以现实生活和近代历史事实为素材的作品， 到 50 年代和 60 年代上半叶反映了普遍的社会意识，汹闹技法也渐渐的丰富， 都试着在找…条自己的边路。 60 年代后期，中国油画较多的题材带有政泊性色 彩。再到 70 年代末期，泊丽的新语言开始慢慢的有了也色。 直到 80 年代油画出现风格奔腾的景象。简言之，油酣在中国的兴跑过 程就好比做是…条问水的主流，它蜿蜒而下，远步的分支到各个文流当中。 基于对 80 后的这群油画创作者们的生存环境的认识，本文试图从创作者的 特殊的生存环境的角度出发，以人的生存环境的作用于人的感觉为主线，解析 了现今在 80 后的油画作品!呈现后的创作源头、作用的方式等等。 关键词: 80 后:油画创作者:生存环境:感.觉 11 E EE--ABSIT此生CT EE - - ABSTRACT To date，the cuηent domestic and foreign oil paintings are colorful representations can be said，overwhelmed. From the reform and opening up，China has oil into the trend perspective ，Techniques in oil painting as the main performance characteristics: mainly realistic way to rewrite the object. Sense and literary scene of the screen being particularly critical.Atmosphere is very important. Images focus generally realistic sense of perspective ，the use of light and shade，and highlight the rnain shape，tendency to forrn a color picture of the mood and contrast themes. Many in reallife and modern works of historical facts material to the 50s and 60s half of the reflective of the general social consciousness ，a rich oil painting techniques gradually，盯e trying to find one in their own way. 丁he late 60sthe Chinese oil painting has rnany more works of political subjects. And then to late 70s the new language ofpainting began to slowly looking up. Until the emergence of80s painting format Pentium scene. In short，the rise of oil painting in China，compared the process is a river like the mainstream ，it is winding down，and gradually the branch to which the various tr协utaries.80 Based on these paintings after the creator of the knowledge of their living environment ，this paper attempts to create the living environment of the particular perspective of the living environment of people w