归庄书法分析-美术学专业论文.docxVIP

I I 摘 要 摘 要 晚明是中国历史上一个重要的时期，商品经济迅速发展，各种思想相互激荡，但 就是这样的社会却促进了文艺的巨大发展，生于此时的归庄（1613～1673）是明代著 名的文学家归有光的曾孙，其在文学上继承家学，以古为师，这样的取法态度也影响 到了他学习书法的路径，他学习书法从“二王”开始，打下了深厚的基础，在中年时 代受到晚明尚“奇”等社会思潮的影响，草书创作体现了晚明浪漫主义的时代气息， 同时结合自身的经历形成了“粗头乱麻”的个人特色，在晚明书家当中独树一帜。而 且归庄学书的经历从另一个角度对晚明书法当中经典权威性降低的现象作出了诠释， 他把个人文学创作上的“大不幸与小不幸”的思想引入到书法创作当中来，在明清之 际形成了自己独特的个性。 关键词：归庄 明末清初 书法 II II Abstract Abstract The later period of the Ming Dynasty is very important in Chinese history, which each thoughts conflicted with each other. But this society has promoted the literature and art to make great progress. Gui ZHuang(1613-1673) who was born in this time, was Gui You Guang’s great-grandson, who was known as a litterateur. Gui Zhuang learn literature from his family tradition, which learn knowledge from the ancients, this opinion has an effect on his calligraphy learn. Gui ZHuang learn calligraphy from “ER WANG”, and this made a foundation for him. In his middle age, he has affected by “Curious” ideological trend, his Current Handwriting has shown off romanticism. At the same time Gui ZHuang combine with his experience to form “the thick head and tangle each other” individual style, which is a special characteristics of art in the later period of the Ming Dynasty. And Gui ZHuang’s learning experience revealed the classical authoritatively has been reduced from the other angle. And he combine his “disaster and unfortunate” literary and artistic thinking with his calligraphy which showed his unique character. Key words: Gui ZHuang Late Ming Dynasty to Early Qing Dynasty Calligraphy III III 目 录 目 录 HYPERLINK \l _bookmark0 引 言 1 HYPERLINK \l _bookmark1 第 1 章 晚明社会及归庄的一生 3 HYPERLINK \l _bookmark2 1.1 深重的危机感及救亡图存的内在召唤 3 HYPERLINK \l _bookmark3 1.2 鼎革的无奈与遗民身份的坚守 6 HYPERLINK \l _bookmark4 1.3 清初思想的转变及对清朝的默认 10 HYPERLINK \l _bookmark5 第 2 章 归庄的书法风格及其艺术思想 15 HYPERLINK \l _bookmark6 2.1 对传统书法经典的继承 15 HYPERLINK \l _bookmark7 2.2 归庄书法的艺术风格 19 HYPERLINK \l _bookmark8 2.2.1 率真的用笔 19 HYPERLINK \l _bookmark9 2.2.