汉魏六朝连珠体研究-中国古代文学专业论文.docxVIP

摘要内容摘要：连珠是我国最古老的文体之一，早在后汉便已确立其文体地位，刘 摘要 内容摘要：连珠是我国最古老的文体之一，早在后汉便已确立其文体地位，刘 勰将其列入杂文类。它是一种短小精巧的文体，常就自然或社会的某一现象加 以推阐，多用比喻，以精炼的语言表达富于教益的政治或人生哲理，语言极度 骈化，文辞要求精美，用事繁密并讲究声律。连珠的创作具有较大的普遍性、 广泛性和历史延续性，它滥觞于先秦时期连类譬喻的论说方式，创制于西汉扬 雄，而盛行于魏晋南北朝。此后，唐、宋、明、清各代虽间有所作，但连珠作 为一种独立的文体已渐入式微。目前学界对于连珠体的研究，主要集中在连珠 体定义、连珠渊源考辩以及对陆机《演连珠》五十首的探讨等三个方面，视野 狭窄，涉及尚浅，研究的深度、广度都还有待提高。陆机的《演连珠》五十首 是我国古代连珠创作的最高峰，他完善了连珠的体式，扩大了连珠的表现范围， 并运用灵活多样的说理方法，形成了连珠体崭新的审美风貌，并且开辟了写作 数十首大幅连珠作品的先河。陆机以后的南北朝时期，连珠作品的文学性愈来 愈强，刘孝仪的《探物作艳体连珠》是连珠变体——艳体连珠产生的标志；庾 信的《拟连珠》四十四首代表着“但叙身世，无关理要的连珠体别格的最高 成就。总之，两汉是连珠体的肇端期，魏晋六朝则是其繁荣期，此后，唐、宋、 明、清各代的连珠创作虽然代不乏人，但是总体成就都没有超过汉魏六朝，汉 魏六朝是我国古代连珠体产生和创作的重要时期。 关键词：连珠；汉魏六朝；文体；逻辑性与文学性；嬗递 AbstractContent：Lianzhu Abstract Content：Lianzhu is one of the most ancient styles of the classical prose of China． “HouHanShuauthorized it’S independent literary style already．LiuXie lied it to essay class．It’S a kiIld of short and exquisite literary style that Was born at Han dynasties．It’S always reason from some nature or society phenomenon,use metaphor and the refining language to express the educational truth of political or life． Lianzhu’S creation has a bigger universality，widespread and the historical continuous nature．It began from the continually kind of metaphor dissertation way in Xianqing dynasty，and formulates by Yangxiong in the Western Han dynasty，prosperity in the Weijin，Southern and Northern dynasties，In the Tang，Song，Ming and Qing dynasties time，it although have been done，but as a kind of independent literary style gradually has entered declines．The survey of educational world studying about Lianzhu style in three aspects：concentrates in Lianzhu the literary style limits mainly, the origin tests debates Lianzhu as well as discussions on Luji’S Yah Lianzhu 50 and SO on．Luji’S Yan Lianzhu 50 and Yuxin’S Ni Lianzhu 44 are the highest achiebement of Lianzhu style．They have the profound influence on generation literature at that time and the later．The Works during the period of HanWei dynasties and Six dynasti