黄庭坚书法接受的审美文化阐释-艺术原理专业论文.docxVIP

聊城大学硕士学位论文 聊城大学硕士学位论文 ii ii ABSTRACT Huang Tingjian has the lofty status in the Chinese calligraphy history, his position enters “Song four” the row, was Northern Song Dynasty the Calligraphy Trend of Self-expression important initiator and the practitioner. Huang Tingjians book study position and esthetics style are in a class by itself, he opposes to swallow the ancient learning without digesting it, emphasizes the individuality creation, tries hard to create one kind of unusual artistic language. Huang Tingjians calligraphy accepts has the bright distinctive quality, during several hundred years experienced one to have were not understood slowly accepted, finally arrived at the long process which admired greatly. The artistic law of development had decided the receiver accepts active the importance, the time different, esthetic standard, the esthetic psychology as well as the cultural linguistic environment is different, causes to accept the effect not to be the same. the Northern Song Dynasty time is not often high to Huang the calligraphys appraisal, holds the critique manner basically; The Southern Song Dynasty, relies on emperor strength of the, Huang the calligraphy gradually receives takes seriously; Has Yuan one generation, under the doctrine of back to the ancients principle ideological trends influence, the calligraphy world situation pursues Jin Tang straight, as a result of the political reason, Huang the calligraphy accepted can only find a comfort in the hidden lost book; The Ming Dynasty , Huang the calligraphy receives the unprecedented value, a time thorough study, imitates Huang the calligraphy to become one prevailing custom, particularly the Wumen book faction, causes Huang the grass law the quiet several hundred years later presents the revival the picture; The Qing Dynasty tablet study emerges, reveres the tablet take Kang Youwei as representative to send to discuss take Huang the book as the tablet study theory opens ones eyes wide, Huang bo