没骨法对个人创作的启发与实践-美术学专业毕业论文.docxVIP

I I 没骨法对个人创作的启发与实践 中文摘要 没骨法对个人创作的启发与实践 中文摘要 自古就有的 “没骨法”虽介于工笔与写意之间，但也是中国传统绘画不可缺少 的一部分，虽然在当代中国画的发展中相对薄弱，也一直坚强独立的发展与演变。 没骨法，简单的说就是指不用墨线勾出物象的轮廓，而是用颜色或墨来表现物像 的一种画法。强调了色彩和墨块在画面上的作用，弱化了线条对轮廓的禁锢，将色彩、 墨块作为最主要的表达方式。没骨技法相传先是南朝张僧繇开创，到了北宋徐崇嗣的没骨 花鸟画，没骨走向了它第一个高潮，后虽沉寂了一段时间，清代的大家恽南田在吸收前人 画法的基础上打破了没骨旧的格局，重新将没骨画推向了辉煌。 在没骨技法的不断发展中没骨人物画的改革反应了现代中国画家独特的智慧层 次和精神需求，它继承发展着传统绘画，与之息息相关；又受到西方绘画艺术的影响， 形式上源于对中国传统文化的契合，与含有东方情调的西方绘画不同，与整个时代气 息相吻合。 没骨技法对我的绘画学习和创作都产生了巨大的影响，虽然是一种对画法画风新 的尝试，但我仍会不遗余力的研究和创作下去，虽谈不上为没骨事业添砖加瓦，但也 争取无愧于心。 关键词：没骨画 色彩 没骨人物画 个人创作 作 者：胡晨璐 指导老师：刘 佳 II II Abstract 补 Study on the Mogu Manner and its Inspiration and Practice on Personal Creation Abstract From ancient times, the painting technique “Mogu manner” is defined between fine brushwork and freehand brushwork, also it is an indispensable part in Chinese traditional painting, although relatively weak in the development of contemporary Chinese painting, it has been kept on evaluating and develops independently. The Mogu manner simply means without using the ink line to draw the outline of an object, only use color and ink to express the image of a painting. This emphasizes the color and ink block, makes them as the main form of expression while weakens the lines’ restriction to the outlines. It is said that Mogu techniques was created by Zhang Sengyao in the Southern Dynasties, which reached a first popular time in the Northern Song Dynasty for Xu Chongsi and his Mogu flower-and-bird paintings, later, this painting style became silent for a period of time, after that, on the basis of predecessors’ painting techniques, a famous painter Yun Nantian from Qing Dynasty broke the old pattern of Mogu painting, and pushed the painting technique to a new glory. In the development of Mogu techniques, the reform of figure paintings reflected the modern Chinese painters’ unique wisdom level and spiritual needs, it inherit and relate to the traditional painting; it is also the influenced by western painting, whose form is the result of combi