玛琳·杜马斯水彩画语言研究-美术学专业毕业论文.docxVIP

摘要玛琳·杜玛斯(MarleneDumas)作为一名才华横溢的女性艺术家出现在20世纪 摘要 玛琳·杜玛斯(MarleneDumas)作为一名才华横溢的女性艺术家出现在20世纪 末的世界画坛，她的水彩画作品突破了传统水彩画精致、透明的特点，以女性身份 从对自我身体的观看入手，通过各种艺术手段，展示了她们对女性身体的独立于男 性文化的“看法，更重要的是画面中人物情绪的流露与思想的表达。本文选取杜马 斯为研究对象，论述了其绘画艺术特点，通过社会环境、个人背景和女性绘画崛起 等方面解读了杜马斯绘画语言形成的具体语境；从怪诞美、模糊性语言、随意性及 黑色元素等方面分析了杜马斯水彩画语言的独特表征极深刻内涵，并详细阐述了杜 马斯的艺术观点及风格对当代水彩画创作的启发作用。使我们从一个新的角度重新 审视水彩画的表达、水彩画独特的语言表现，让懂得欣赏艺术的人感觉到她是位率 性纯真的并且具有非常敏锐的观察力的艺术家，她所关注的是从现实生活中提炼的 进行描绘，而且始终是自己内心世界的东西。在研读杜马斯绘画的同时，我们要开 放性思维充分发挥水彩画中用水、用色、用材料的特点和泼彩渲染等多种技巧更重 要的是“写心中意来创造水彩艺术的神韵和意趣，抓住绘画语言本质创作出更多 的、优秀的、个性的，具有时代性的水彩作品。 关键词：水彩画；表现；模糊性； 情感因素 AbstractFrom Abstract From the Qing Dynasty to the 1 950s，blue-and-white plates州m fish patterns were prevalent among the people in our country．The lines were unconstrained and smooth，like floating clouds or flowing water,vividly outlining fish with a few strokes．Under-glaze blue and red cyprinoids of Jingdezhen in Jiangxi，double—fish freehand brushworks of Zibo in Shandong，fish and lotus paRems of Chengcheng in Shaanxi and blue·and·white mandarin fish of Dehua in Fujian—．all those pattems have been greatly favored for several hundred years by the people and on their dining tables．They record a period of simple folk history with vivid artistic language，and embody a precious national faith as a result of their profound culture．The long prevalence of blue-and-white fish—pattem plates is not occasional．It is closely related to its unique style and features and profound cultural connotation．These plates have a rich variety of patterns，flexible compositional pictures， tranquil and elegant glaze of white and blue，fluent and unbridled lines，clean and pure styles of life．Having always been the favorites among people，they reflect the meanings of auspiciousness and abundance，promotion and prosperity, multiplication of life， happiness and contentment．These meanings add strength and color to people’S spiritual pursuit．The flexible tension and convoluted dynamism of fish on the plates express the spirit of self-per