没骨之骨-美术学专业毕业论文.docxVIP

辽宁师范大学硕士学位论文摘 辽宁师范大学硕士学位论文 摘 要 “没骨”作为中国传统绘画中的一个重要技法，千百年来以其无数优秀的作品，焕 发着无穷的魅力。本人以“没骨”的概念作为其切入点，通过古代、当代没骨艺术等 最具代表性的画家、优秀作品进行分析。在漫长的没骨艺术发展过程中，寻求没骨艺 术真正的“骨”。 本文以没骨，“骨”在哪里?为题，分为五个部分进行论述： 第一部分：没骨的相关概念及我对没骨画的理解。 第二部分：寻找中国古代则学思想中有关没骨艺术形态的理论依据。通过引用古 典哲学思想，分析其深层次的意义，搜集所需材料，分析没骨画家对其哲学思想的应 用。 第三部分：通过工笔、写意、没骨三个传统技法的对比，寻找三个技法当中更深 层次的技法差别、理论差别，从而引出没骨当中的“骨法用笔。 第四部分：通过最具代表性的没骨画家及其艺术作品，试着分析出没骨之骨在于 其“气”、“色”、“真”、“情”。通过近、当代的艺术家的没骨艺术窥见其没骨现状。 第五部分：传统没骨艺术对现代艺术有何启示，浅谈没骨以后今后的发展之路。 关键词：没骨；中和；工笔；写意；色 辽宁师范大学硕士学位论文Abstract 辽宁师范大学硕士学位论文 Abstract Through the”boneless”as all important traditional Chinese painting techniques，for thousands of years for its numerous excellem works，full of infinite charm．I”boneless’ concept as its starting point,analyze the mo鹱representative of the ancient，contemporary, boneless art painter,good works．In the 10ng boneless artistic development process，seek not the real art of bone”bone”． boneless，”bone”Where?Discussed the theme，divided into five parts： Section one：boneless painting concept and the understanding I have boneless Section two：The ideas about boneless art forms the theoretical basis to find in ancient China．By reference tO classical philosophy,to analyze the deeper meaning，to collect the required materials，analyze the application of the of boneless painter philosophy． Section three：Through meticulous，freehand，boneless to the comparison of the three traditional techniques，looking for a deeper level of technique difference in the three techniques，theoretical differences，which leads to mo gu which bone a pen． Section four：boneless of the most representative artists and their works of art,try to analyze the haunt of the bone of the bone in its”gas’，”color”，”true”，”feeling”．Nearly boneless art of contemporary’artists t。O get a glimpse of its status boneless． Section five：Tradition did not What are the implications of the bone Art of Modem On the boneless after future development Key words：boneless；neutralization；meticulous；freehand；color II 辽宁师范大学硕士学位论文己I 辽宁师范大学