黄钺和《二十四画品》研究-美术学(中国画论)专业毕业论文.docxVIP

I I 中文摘要 黄钺是清代诗人兼画家，他的绘画理论著作《二十四画品》，是对中国传统文人山 水画意境理论进行的总结，具有意境美学理论研究的意义。本文在研究黄钺的生平以艺 术实践阅历的基础上，主要对《二十四画品》蕴含的深层美学涵义进行分析解读，探讨 其对山水意境理论的贡献。《二十四画品》所列举的二十四种山水画审美境界，不仅继 承了传统诗画品鉴范畴，也吸收了明清文艺观念的精华，并对创新山水画意境进行补充， 使绘画品评的方式从传统的评论高下变为品其境界。所以，《二十四画品》实际上是把 山水理论从风格论提升到境界论的高度，它不仅在中国画论史上有重要之地位，而且在 中国美学史上也占有一席之地。 【关键词】：黄钺 《二十四画品》 山水画 意境 II II Abstract Huang Yue is poet and painter in the Qing dynasty, painting of his theoretical work of 《 The 24 Art aesthetics 》 ,it is a traditional Chinese scholars summary of the theory of artistic conception in landscape painting, with the aesthetic artistic conception theory of meaning. This dissertation is intended to to study Huang Yues life and his art practice experience, to analyze 《The 24 Art aesthetics》’s deep meaning of aesthetics, and to probe Huang Yue’s contributions to the theorise of the landscape painting. 《The 24 Art aesthetics》enumerate the twenty-four kinds of the landscape painting’s artistic realm, which is not only inherit the tradition of poetry and painting tasting category, but also absorb the essence of the Ming and Qing’s literary conception, and supply to creative artistic conception in landscape painting, to make the way of the painting tasting to transform the traditional comments to tasting its reaml. Hence, 《The 24 Art aesthetics》is actually promote the theories of landscape painting from the theory of style to the height of the theory of realm. and making it play an important position in the history of Chinese painting theory, even in China also have their place in the history of aesthetics. Keywords: Huang Yue 24 PAINTING STYLE andscape painting Realm III III 目 录 中文摘要 I Abstract II 绪 论 1 1. 黄钺《二十四画品》研究现状 1 2. 画品源流考述 2 3．《二十四画品》的理论价值 3 第一章：黄钺生平、著述及艺术实践 5 第一节：黄钺生平述略 5 第二节：黄钺著述文献通考 7 第三节：黄钺的艺术创作——诗、画、书、印 8 第二章：《二十四画品》对传统诗画品鉴范畴的继承 13 第一节：“气韵”“神妙”与“冲和”“淡逸” ——老庄的宇宙情怀与山水精神 13 第二节：“沉雄”——儒者的王霸之气和忠烈精神 16 第三节：“空灵”与“清旷”——禅意的超越 18 第三章：《二十四画品》对明清文艺观念及创作的理论转化与提炼 20 第一节： “性灵”与“超脱”——对明清“