马克思主义文艺理论视野中的中国钢琴创作民族化研究-马克思主义中国化研究专业毕业论文.docxVIP

PAGE PAGE 3 摘 要 钢琴传入中国近百年，中国的钢琴创作由照搬到改编，再到现在走出了一 条多元化、个性化发展的道路。在钢琴创作走向成熟的过程中，它受到了马克 思主义文艺理论的指导，而马克思主义对艺术创作和钢琴创作的影响中，民族 化是重要的一个方面。通过民族化的实践和探索，钢琴创作实现了对中国传统 文化的继承和发展，实现了借鉴外来的、多民族的优秀成果从而完成了马克思 主义的大众化，实现了文艺为革命和建设服务的社会功用价值，因此民族化始 终是马克思主义如何指导中国艺术实践的重要的线索。 本文正是通过钢琴创作这一独特视角，分析和研究马克思主义的民族化、 进而中国化的问题，进一步探讨了马克思主义文艺理论的深刻内容和精神实质， 着重论述了马克思主义中国化在艺术领域的实现过程。本文主要采用历史与现 实研究相结合、理论研究与具体实践研究相结合的方法，对中国钢琴创作的历 程、类型、特点及音乐语汇等方面进行了新的审视，反映了中国钢琴创作在马 克思主义文艺理论指导下民族化的全过程。 通过运用马克思主义文艺理论来分析和研究中国钢琴创作的民族化问题， 文章阐明了这一研究，对未来的中国钢琴创作沿着正确的方向前进具有重要意 义，对于推陈出新创造出具有中国特色的钢琴音乐作品，丰富广大人民群众的 精神世界具有重要功用，对于继承和发展优秀的多民族文化传统，并使之与外 来先进文化相结合具有重要的实践作用。 【关键词】民族化 马克思主义文艺理论 钢琴创作 Abstract Piano has been introduced into China nearly a century. From copy to adaptation, the Chinese piano creation has become diversified, and personalized currently. Under the guidance of the Marxist literary theory, Chinese piano creation has developed from childishness to maturity. The nationalization, which is a very important content of Marxist literary theory, has influenced the artistic creation and piano creation. Through the practice and exploration of nationalization, Chinese piano creation has inherited and developed the traditional culture, and also learned from the outside, multi-ethnic outstanding achievements to complete the popularity of Marxism and achieve social function of art which is for the revolution and construction. So, the nationalization is always the key factor of guidance of Marxism to art practice in China. This paper discussed and studied the nationalization and also the Marxism in China by researching the Chinese piano creation which is a very unique perspective, to explore the content and spirit of Marxist literary theory, and more important the process of Chinese Marxism in the arts. By using the methods of historical research combined with the reality, theoretical research combined with concrete practice, this paper discussed the characteristics, types and musical vocabulary of the Chinese piano creation and how