论中国电影精神之独立-文艺学专业论文.docx

AbstractFilm Abstract Film making is a rather new forill of art．It has been popularized in China for a few decades．Since the making of the very first Chinese film，till now、it benefited the nation of China in many ways．And the”2 glorious periods”of film making in China was enough to prove that．But，recent Chinese film are”artificial”，”superficial”，and non significant．It is due to the lost ofnutrients with the traditional culture ofChina． In the mist of this crisis，there are 3 choices of directions that Call be taken．Choice number 1．to be totally westemized and the consequences will be lost of identity of Chinese film．Second choice，to start everything anew，including the technical aspect．It is possible but chances are rare．The third choice will be to assimilate with the western techniques and theories．but apply it to our very own circumstances．This will be a highly challenging task， but it will be the most practical way to overcome the crisis that faced by China at this time， and the independent spirit ofthe Chinese film must be first restrained． By looking back at the history of Chinese film making，we see the possibility of restraining the independent spirit of Chinese film．And it also shows a trail of connection between the Chinese film and traditional culture． To attain the independent spirit of Chinese film，the characteristics of the Chinese film must first be identified．The traditional perception on the roles of arts，awareness of history and the direct use ofsenses in interpreting ones perception，distinct the content ofChinese and western culture．By analyzing the achievements and tlle crisis of Chinese film．we Call see from the beginning till years of ninety，Chinese film making preserved those characteristics． Chinese film speaks for the Chinese culture and values，and it continuously structured the characteristics ofit’s own aesthetical fclrl／1． In the process of binding with the film aesthetic and applying the traditional culture， Chinese film is able to build its